Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
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46 <strong>Inclusive</strong> <strong>Scholarship</strong>: <strong>Developing</strong> <strong>Black</strong> <strong>Studies</strong> in the United States<br />
advanced, it split racially as well. <strong>Black</strong> sociologists created separate caucuses<br />
to establish an independent direction and to criticize what they began<br />
to refer to as “White sociology.” 30 The deep racial and ideological divisions<br />
within sociology were perhaps best illustrated by the rancor and division<br />
generated by the so-called Moynihan Report.<br />
It is important to observe that the <strong>Black</strong> sociologists who took the lead<br />
as advocates of Afro-American studies were likely to be at the radical edge<br />
in this split. Both Nathan Hare and Harry Edwards were deeply cynical<br />
about, and distrustful of, institutions and traditional academic fields. Their<br />
tendency was to be anti-intellectual and anti-”Establishment.”Edwards saw<br />
the <strong>Black</strong> student movement as providing the “impetus for violent and irreversible<br />
revolution in America.”And he saw the object of <strong>Black</strong> leadership<br />
and <strong>Black</strong> <strong>Studies</strong> as being to “fight the mainstream to establish <strong>Black</strong> authenticity<br />
and to achieve full equality or be overwhelmed in the attempt.” 31<br />
It should be said, however, that St. Clair Drake, a senior and respected<br />
scholar, early took on the direction of Afro-American studies at Stanford<br />
and made it one of the best programs in the country.<br />
The humanities (excluding history) were always the most Eurocentric<br />
of American scholarly fields. English literature, philosophy, art history, and<br />
music were, in the sixties, the fields least touched by subject matter having<br />
to do with <strong>Black</strong> Americans. Of these fields, literature, music, and the fine<br />
arts had the least excuse; American literature was a field where <strong>Black</strong>s had<br />
played a role. It was a rare college course in a northern school that taught<br />
any <strong>Black</strong> author—until Ralph Ellison and James Baldwin became fashionable.<br />
There were, however, a number of senior <strong>Black</strong> scholars in American<br />
literature: J. Saunders Redding, Blyden Jackson, Charles Davis, George Kent,<br />
to name a few. Most taught in southern <strong>Black</strong> colleges. Professionally, the<br />
modem languages are so factionalized that it was almost natural for scholars<br />
of <strong>Black</strong> literature to become merely another faction within the professional<br />
ranks. As activity in the subject developed, room was made for them,<br />
as it would be made, for example, for Chicano literature. Very little room<br />
would be made, however, in the canon of American literature or in the<br />
mainstream curriculum.