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Inclusive Scholarship: Developing Black Studies - Ford Foundation

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154 <strong>Inclusive</strong> <strong>Scholarship</strong>: <strong>Developing</strong> <strong>Black</strong> <strong>Studies</strong> in the United States<br />

says. Once again, undergraduate and graduate students were encouraged to<br />

attend the conference. The students to whom we spoke were uniformly delighted<br />

by the opportunity to be exposed to so many points of view, to meet<br />

scholars whose work they had read, to watch African Americanists disagree,<br />

and to learn how to ask questions and participate in debates in a public academic<br />

forum.<br />

In the third year,<strong>Ford</strong> funds were used to develop a collection of African<br />

American music for research and pedagogical purposes, and to prepare The<br />

<strong>Black</strong> Scholar volume. In this year, the outreach component was defined more<br />

narrowly, though no less valuably.A portion of the <strong>Ford</strong> grant was used to cosponsor<br />

a series of colloquia with the University’s Havens Center for the Study<br />

of Social Change. This series brought together faculty and graduate students<br />

from various disciplines to discuss seminal texts in the debate over multiculturalism<br />

and diversity in intellectual life. In the wake of such highly successful<br />

and visible projects as the <strong>Black</strong> Feminist Symposium and the African<br />

American <strong>Studies</strong> conference, this colloquium series had the effect of consolidating<br />

the power and visibility of the African American <strong>Studies</strong> department<br />

as an intellectual center on campus.<br />

A university as large as Wisconsin runs the risk of seeming impersonal<br />

with students left to fend for themselves. We were very impressed by the extent<br />

to which the faculty in African American <strong>Studies</strong> at Wisconsin displayed<br />

its commitment to each other and to its students. The <strong>Ford</strong> grant<br />

contributed substantially to the construction of an atmosphere in which<br />

students felt intellectually, financially, and emotionally supported. It also<br />

helped center African American <strong>Studies</strong> on campus and across the nation<br />

as a key player in the production of ideas across disciplines.<br />

Yale University<br />

Yale’s Department of Afro-American <strong>Studies</strong> and its uses of the <strong>Ford</strong> <strong>Foundation</strong><br />

grant require the special attention of evaluators. This is because the<br />

proposal was designed in a period of transition by Professor Edmund Gordon,<br />

who left the University just as the <strong>Foundation</strong> funds became available.<br />

The program’s fine new leadership (with Professor Gerald Jaynes as Chair

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