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Inclusive Scholarship: Developing Black Studies - Ford Foundation

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<strong>Inclusive</strong> <strong>Scholarship</strong>: <strong>Developing</strong> <strong>Black</strong> <strong>Studies</strong> in the United States 23<br />

in expensive private schools tended to confirm the elitism of the humanities.<br />

It was difficult, also, to shake the Veblenian assessment that the pursuit<br />

of the liberal arts was merely an example of the conspicuous display of<br />

wealth; who else but the rich could afford to spend four years in pursuit of<br />

an education having no practical end? Humanists also easily drew the<br />

charge of elitism because they tended to think of their work as having a civilizing<br />

influence, and because their work (particularly in literature, the fine<br />

arts, and music) called upon them to make judgments as to quality. Some<br />

works were better than others; some writers, artists, and musicians were<br />

better than others. Those artists and works of art not studied, discussed,<br />

and evaluated were, by implication, inferior.<br />

In practice, the liberal arts curriculum reduced itself to courses concerned<br />

with not just civilization, but Western civilization. Sometimes emphasis<br />

was placed on the “disciplines,” sometimes on interdisciplinary<br />

approaches to “great issues,” sometimes on the “great books” approach.<br />

The object was always the same: Matthew Arnold’s “acquainting our selves<br />

with the best that has been known and said in the world.” Though the<br />

“world” of Matthew Arnold was small, it probably did include “acquaintance”<br />

with Islamic and Asian culture. Compared to Arnold’s, the “world”<br />

of postwar American scholars in the humanities—products of university<br />

Ph.D programs—was Lilliputian. It certainly did not encompass Asia,<br />

Africa, and Latin America. Most American teachers in the humanities assumed<br />

our heritage (their students’ as well as their own) to be the history<br />

and culture of the West. They could hardly imagine an American youngster<br />

of whatever ethnic background challenging that assumption. 8<br />

Most supporters of the liberal arts probably did not really believe that<br />

what they taught comprised the “world” or “civilization.” Rather, they supposed<br />

certain concepts, ideals, principles, values, to be universal rather than<br />

particular to any people or culture. Those values were, nevertheless, accessible<br />

through certain texts and other cultural artifacts of a Western tradition,<br />

a tradition that could be studied as coherent and whole. King Lear,<br />

Medea, Machiavelli, Plato, Kant, Locke, Mill, Jefferson posed questions as<br />

relevant to a Chinese, a Malayan, a Ugandan, or a Nigerian as to an American<br />

of any ethnic background.

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