Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
Inclusive Scholarship: Developing Black Studies - Ford Foundation
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<strong>Inclusive</strong> <strong>Scholarship</strong>: <strong>Developing</strong> <strong>Black</strong> <strong>Studies</strong> in the United States 23<br />
in expensive private schools tended to confirm the elitism of the humanities.<br />
It was difficult, also, to shake the Veblenian assessment that the pursuit<br />
of the liberal arts was merely an example of the conspicuous display of<br />
wealth; who else but the rich could afford to spend four years in pursuit of<br />
an education having no practical end? Humanists also easily drew the<br />
charge of elitism because they tended to think of their work as having a civilizing<br />
influence, and because their work (particularly in literature, the fine<br />
arts, and music) called upon them to make judgments as to quality. Some<br />
works were better than others; some writers, artists, and musicians were<br />
better than others. Those artists and works of art not studied, discussed,<br />
and evaluated were, by implication, inferior.<br />
In practice, the liberal arts curriculum reduced itself to courses concerned<br />
with not just civilization, but Western civilization. Sometimes emphasis<br />
was placed on the “disciplines,” sometimes on interdisciplinary<br />
approaches to “great issues,” sometimes on the “great books” approach.<br />
The object was always the same: Matthew Arnold’s “acquainting our selves<br />
with the best that has been known and said in the world.” Though the<br />
“world” of Matthew Arnold was small, it probably did include “acquaintance”<br />
with Islamic and Asian culture. Compared to Arnold’s, the “world”<br />
of postwar American scholars in the humanities—products of university<br />
Ph.D programs—was Lilliputian. It certainly did not encompass Asia,<br />
Africa, and Latin America. Most American teachers in the humanities assumed<br />
our heritage (their students’ as well as their own) to be the history<br />
and culture of the West. They could hardly imagine an American youngster<br />
of whatever ethnic background challenging that assumption. 8<br />
Most supporters of the liberal arts probably did not really believe that<br />
what they taught comprised the “world” or “civilization.” Rather, they supposed<br />
certain concepts, ideals, principles, values, to be universal rather than<br />
particular to any people or culture. Those values were, nevertheless, accessible<br />
through certain texts and other cultural artifacts of a Western tradition,<br />
a tradition that could be studied as coherent and whole. King Lear,<br />
Medea, Machiavelli, Plato, Kant, Locke, Mill, Jefferson posed questions as<br />
relevant to a Chinese, a Malayan, a Ugandan, or a Nigerian as to an American<br />
of any ethnic background.