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The Translator's Invisibility: A History of Translation

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Commager, S. 216<br />

Conquest, R. 222<br />

Come, G. 277<br />

Contemporary Authors 209<br />

Coogan, D. 221, 222<br />

Coover, R. 266<br />

Copyright 8–10, 164–6, 184–5, 310,<br />

311–12<br />

Cornell University Press 277<br />

Cortázar, J. 264–70, 271; All Fires<br />

<strong>The</strong> Fires 264; “Continuidad de<br />

los Parques” 268–70; Cronopios<br />

and Famas 264; End <strong>of</strong> the Game<br />

10–11, 264, 265–6, 268;<br />

Hopscotch 264, 265; <strong>The</strong> Winners<br />

264, 265<br />

Costa, C. 277, 278<br />

Coviello, M. 277<br />

Cowley, A. 48, 64, 68<br />

Cowper, W.: translation <strong>of</strong> Homer<br />

118, 122, 131<br />

Creagh, P. 277<br />

Creeley, R. 226, 246, 254<br />

<strong>The</strong> Criterion 188, 209, 276<br />

Crusius, L. 82–3<br />

Cucchi, M. 291<br />

Cummings, E.E. 261<br />

D’Ablancourt, N.P. 48–50<br />

Daily Advertiser 71<br />

Daniel, A. 191, 198–200, 206, 208,<br />

213–14, 224, 232, 242, 243<br />

Dante Alighieri 190, 254, 276, 279<br />

Dartmouth College 255<br />

Davenport, G. 266<br />

Davie, D. 206–7, 214<br />

Dawson, J. 106<br />

De Angelis, M. 275–6, 277, 286, 292–3,<br />

300, 303–4; “Antela” 301–2; “Il<br />

corridoio del treno” 296–300;<br />

“L’idea centrale” 287–96; “Lettera<br />

da Vignole” 283–5; Somiglianze<br />

275, 287, 291, 296, 304<br />

Defoe, D. 119<br />

DeKock, C.-P. 157<br />

Deleuze, G., and F.Guattari 160–1,<br />

273, 305–6<br />

Del Re, A. 200–1<br />

Denham, Sir J. 67–8, 85, 98, 130,<br />

Index 347<br />

210, 221; Coopers Hill 45, 51–2,<br />

53, 62; <strong>The</strong> Destruction <strong>of</strong> Troy<br />

44–65; <strong>The</strong> Passion <strong>of</strong> Dido for<br />

Aeneas 53; <strong>The</strong> Sophy 54; “To<br />

Sir Richard Fanshawe upon<br />

His <strong>Translation</strong> <strong>of</strong> Pastor Fido”<br />

51, 62<br />

Dickens, C. 35, 119, 124, 139, 162,<br />

164<br />

Dickinson, E. 208<br />

Diodorus 31<br />

Di Piero, W.S. 277<br />

Divers Press 226<br />

Donne, J. 224<br />

Doubleday 254<br />

Douglas, G.: translation <strong>of</strong> Virgil<br />

198, 235, 242<br />

Dowson, E. 189, 190<br />

Dryden, J. 67–8, 72, 130, 144, 189,<br />

210, 215, 220–1, 309;<br />

“Dedication <strong>of</strong> the Æneis” 62,<br />

64–5, 67; “Preface to Ovid’s<br />

Epistles” 62, 68; “Preface to <strong>The</strong><br />

Rival Ladies” 62–3; translation <strong>of</strong><br />

Virgil 64–5<br />

Dublin University Magazine 139<br />

Dudek, L. 227<br />

Dylan, B. 247<br />

Eagleton, T. 134<br />

Easthope, A. 275<br />

East India Company 95<br />

Ecco Press 276<br />

Economou, G. 254, 271<br />

Edinburgh Review 77–8, 80–1, 96<br />

Edwards, J. 206<br />

Eliot, T.S. 191, 202, 204, 224,<br />

275, 276; “Baudelaire in Our<br />

Time” 189–90; “Philip<br />

Massinger” 196;<br />

“Tradition and the Individual<br />

Talent” 289<br />

Elton, C.A. 83–4<br />

Emporio pittoresco 162, 164<br />

Encounter 222<br />

Erckmann, E., and L.-A.Chatrian<br />

149, 186<br />

European Magazine 73, 74<br />

Evening Post 71

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