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observe: „the differences between Caesar and Hannibal are almost as compelling as the<br />
resemblances.‟ 314<br />
Silius Italicus‟ list of omens is prefaced with a bleak sense of foreboding, focussed<br />
on the Roman camp where the soldiers set up their unlucky standards on the ill-omened<br />
ramparts: defigunt diro signa infelicia vallo (Pun. 8.623). Shortly afterwards, they<br />
collapse along their length (Pun. 8.627-9). Spaltenstein 315 compares this omen to the<br />
gods demolishing the walls of Troy in Aeneid 2.608, supported by Silius Italicus‟ initial<br />
comparison to the Trojan War a mere two lines earlier (Pun. 8.617-621). It also recalls<br />
the walls of Saguntum crashing down (Pun. 1.368) through repetition of aggere and the<br />
parallel simile for the thunderous noise of both sets of collapsing walls being compared<br />
to crashing mountains. If one reads the siege of Saguntum in Punica 1-2 as a metaphor<br />
for Rome, as argued by Dominik, 316 the inter-textual link between the walls of the camp<br />
at Cannae and the walls of Saguntum is as strong as the allusion to the Aeneid.<br />
Astronomical phenomena such as comets and eclipses were widely accepted as<br />
powerful omens. Eclipses, whether solar or lunar, are problematic for texts relating to<br />
historical topics, because ancient astronomers could forecast them and many people<br />
would observe them; thus authors had to exercise a certain amount of care if there was<br />
no eclipse over the area concerned at the time of the events they describe. For this<br />
reason Livy, Valerius Maximus, Lucan and Silius Italicus all hint at eclipses at Cannae<br />
and Pharsalus but say nothing explicit. Livy notes claims that the sun seemed to fight<br />
the moon (Livy, 22.1.10) but on this score Silius Italicus aligns himself closer to Lucan,<br />
using the same word, tenebris, to describe atmospheric gloom as light suddenly became<br />
withdrawn (Pun. 8.633; bel.civ., 1.542).<br />
Both of Livy‟s lists include a number of omens involving blood, either flowing from<br />
springs or in sweat from statues or other images, and one of bloodied ears of corn<br />
harvested at Antium (Livy, 22.36.7-9; 22.1.10-8). Only one similar type of omen is used<br />
in the Punica and it is located in the centre of Rome: blood flows from the Temple of<br />
Jupiter (Pun. 8.644-5). 317<br />
314<br />
Von Albrecht, 1966; Vessey, 1973; Ahl, Davis, Pomeroy, 1986, 2511: „Silius‟ Hannibal owes much to<br />
Lucan‟s Caesar.‟<br />
315<br />
Spaltenstein, 1986, 555.<br />
316<br />
Dominik, 2003.<br />
317<br />
Spaltenstein, 1986, 557 notes the wording atro sanguine as traditional, citing Ennius (trag. 310), and<br />
Virgil (Aen. 4.687) where the wording is similar but not identical (atros cruores).<br />
126