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SLC Thesis Template - ResearchSpace@Auckland - The University ...

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Polybius‟ stage analogy carries a subtext for Hannibal‟s next move: that Hannibal<br />

deliberately stages a dramatic exit through the pass guarded by Fabius‟ men instead of<br />

leaving by any one of the other possible exits. <strong>The</strong> representation of Fabius correctly<br />

guessing that Hannibal would leave by the same pass that he arrived and posting<br />

soldiers to guard the pass is unexplained (Hist. 3.92.10). Polybius‟ lack of information<br />

about other factors, such as deserters or spies informing Fabius or the encumbrances of<br />

booty restricting Hannibal‟s choice of exit, leave a more lasting impression that<br />

Hannibal‟s spectacular diversion of oxen running berserk with burning faggots tied to<br />

their horns becomes a calculated demonstration to show that one way or another<br />

Hannibal could outwit and upstage Fabius Maximus.<br />

Livy pays less credit to Hannibal‟s intelligence and the abilities of his scouts than<br />

does Polybius. Hannibal enters the ager Falernus in error when a guide mistakes his<br />

Latin pronunciation of Casinum for Casilinum (Livy, 22.13.6, also Plutarch, Fab. Max.<br />

6.1). <strong>The</strong> misunderstanding, considered by Frederiksen as „too picturesque to be true,‟ 321<br />

leads to a portrayal of Hannibal exhibiting barbaric cruelty through scourging and<br />

crucifying the unfortunate guide (Livy, 22.13.9).<br />

Livy alludes to the tradition for presenting Hannibal‟s intentions through a theatrical<br />

analogy but gives it less force than Polybius because it is voiced through the soon-to-be-<br />

discredited Minucius. As a frustrated member of Hannibal‟s audience, Minucius angrily<br />

complains about idly watching Hannibal‟s army devastate the countryside 322 as if<br />

watching a spectacle: „spectatum huc…ut ad rem fruendam oculis, sociorum caedes et<br />

incendia, venimus‟ (Livy, 22.14.4).<br />

As Livy does not compare the area to a stage with three exits, there is no subtext that<br />

Hannibal deliberately upstaged Fabius when he could have exited by another route.<br />

Livy‟s Fabius, like his Polybian counterpart, is, nonetheless, certain about which route<br />

Hannibal would take to leave the area and installs guards to block the way:<br />

321 Frederiksen, 1984, 238. von Ungern-Sternberg, 1975, ch 1, argues that Livy relocated the anecdote. Cf.<br />

Luce, 1976, 391 notes that von Ungern-Sternberg takes a „very dim view‟ of the Roman annalistic<br />

tradition.<br />

322 Hannibal is said to devastate all the farmlands except those which his informants told him belonged to<br />

the Fabii. Consequently Fabius has to convince everyone, especially his army, of his loyalty to Rome,<br />

while continuing to resist the urge to fight Hannibal (Livy, 22.23.4; Val. Max. 7.3 ext. 8; Plutarch, Fab.<br />

Max. 7.2; Dio Cassius, 14, 15, Zonaras 8, 26; Frontinus, Strat. 1.8.2; Pun. 7.260-267). This anecdote,<br />

while not directly related to the thesis topic, is further evidence for literary adaptation within<br />

historiographical texts as Walbank, I, 430 and Frederiksen, 1984, 238 read it as comparison between<br />

Fabius and Pericles. I would argue that in the Roman tradition it compares Fabius to Coriolanus (cf. Livy,<br />

2.39.6). <strong>The</strong> „historical‟ context of this story also differs between texts as Plutarch, Fabius, 6, associates it<br />

with Hannibal‟s departure from the Falernian plain whereas Livy places it later in his narrative.<br />

131

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