SLC Thesis Template - ResearchSpace@Auckland - The University ...
SLC Thesis Template - ResearchSpace@Auckland - The University ...
SLC Thesis Template - ResearchSpace@Auckland - The University ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
In this quote Livy echoes Cato‟s famously proverbial delenda est Carthago through<br />
Hannibal‟s announcement to his men shortly before crossing the Alps that their goal is<br />
to wipe out the name of the Romans. It marks the start of a theme that „Hannibal is<br />
marching to Rome‟ which pervades Livy‟s first pentad and culminates in Hannibal‟s<br />
appearance outside the city in 211.<br />
Livy‟s methods of presentation of the theme that Hannibal is marching to Rome are<br />
sufficiently frequent, varied, and carefully situated in his text to be described as forms of<br />
a foreshadowing 207 technique which build up tension and the sense of fear at Rome prior<br />
to Hannibal‟s appearance outside the city in 211. <strong>The</strong>re are threats, discussions, an<br />
aborted attempt and feints. „Rome resisting Hannibal‟s attack‟ in 211 marks both the<br />
literary midpoint of the third decad and the temporal midpoint of the war (if it is<br />
measured between Hannibal‟s siege of Saguntum in 219 and his defeat at Zama in<br />
202). 208<br />
<strong>The</strong> central importance of book 26 is indicated through its opening scene: the first<br />
sentence begins ordinarily enough in typical annalistic format with the names of the<br />
consuls, but, atypically, they are convening their inaugural Senate meeting during the<br />
Ides of March to discuss the res publica (Livy, 26.1.1). It is one of the most important<br />
senate meetings of the year and lies at the heart of Roman culture; the only other book<br />
in the third decad with a comparable opening scene is the final one, book 30, although<br />
the meeting in that scene is not specifically identified as taking place during the Ides of<br />
March (Livy, 30.1.1).<br />
One effect of the theme „Hannibal marching on Rome‟ is to regularly return the<br />
audience attention to Rome even though the focus of the narrative may be on events far<br />
removed from the city. Given that Livy‟s overall focus is Rome, it is not Hannibal‟s<br />
appearance per se which is the centrepiece to the third decad but „Rome‟ in a communal<br />
sense of the physical city with her inhabitants and her army resisting his attack. <strong>The</strong><br />
centrality of the city of Rome to Livy‟s third decad concurs with his title, ab urbe<br />
condita, and with the role of the city in the other extant sections of the text. At the<br />
halfway point in the first decad, for example, Camillus has a substantial oration in which<br />
he summarises the preceding events of the pentad in terms that stress the importance of<br />
207 See use of this term in Kraus & Woodman, 1997, 61; and Luce, 1977: on the architectural structure in<br />
Livy. Mellor, 1999, 59-60: on architectonic patterns in the Hannibalic books.<br />
208 219 – 202 = 17 years. Divide 17 by 2. 219 – 8 = 211. Livy does not, by this reckoning, „stretch the<br />
bounds of history,‟ as suggested by Ahl, Davis, Pomeroy, 1986, 2505.<br />
80