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sudden appearance outside Rome causing panic with Fulvius Flaccus‟ timely arrival to<br />
save the city.<br />
<strong>The</strong> other substantial difference between these texts arises from their respective<br />
treatments of individual Romans, in particular Fulvius Flaccus, Appius Claudius and<br />
Fabius Maximus. <strong>The</strong>se treatments may reflect the variety of available traditions<br />
between different Roman families in ancient times, but there is a distinct impression that<br />
Silius Italicus responds to each of Polybius and Livy in respect of these figures.<br />
<strong>The</strong> defence of Rome in 211, irrespective of genre, is explained in supernatural<br />
terms. <strong>The</strong>se, like Hannibal‟s ever-closer approach to the city, become noticeably more<br />
explicit over time if considered as progressing from Polybian „luck‟ through Livy‟s two<br />
days of hailstorms to direct intervention by Jupiter and Juno in the Punica and Florus‟<br />
reference to authors (and audience) accepting the roles of the gods defending the city in<br />
historiographical texts.<br />
Representations of Hannibal marching on Rome before 211<br />
Hannibal is sometimes represented as marching to Rome or considering marching to<br />
Rome prior to 211 especially after certain victories, but for various reasons it does not<br />
happen. <strong>The</strong> explanations, however, for Hannibal not marching on Rome, are not<br />
concerned with his lack of resources to attack a walled city, his distance from the city or<br />
other pragmatic reasons, but instead they relate to his state of mind, natural forces or<br />
divine intervention. <strong>The</strong> emphasis on such reasons as Hannibal‟s state of mind or natural<br />
phenomena allows for these representations to be read as literary motifs and compared<br />
as foreshadowing features in relation to his actual appearance in 211. This interpretation<br />
is supported by the frequency with which these representations are located in the texts<br />
prior 211; the patterning of Hannibal‟s threats to the city in Livy‟s text is particularly<br />
striking, and discussed first before the more general comparisons.<br />
Livy’s theme of Hannibal marching on Rome<br />
Hiberum traiecisse ad delendum nomen Romanorum liberandumque<br />
orbem terrarum.<br />
Livy, 21.30.3<br />
<strong>The</strong>y had crossed the Ebro, in order to wipe out the name of the<br />
Romans and liberate the world.<br />
Adapted from Foster, 1949, 87.<br />
79