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sudden appearance outside Rome causing panic with Fulvius Flaccus‟ timely arrival to<br />

save the city.<br />

<strong>The</strong> other substantial difference between these texts arises from their respective<br />

treatments of individual Romans, in particular Fulvius Flaccus, Appius Claudius and<br />

Fabius Maximus. <strong>The</strong>se treatments may reflect the variety of available traditions<br />

between different Roman families in ancient times, but there is a distinct impression that<br />

Silius Italicus responds to each of Polybius and Livy in respect of these figures.<br />

<strong>The</strong> defence of Rome in 211, irrespective of genre, is explained in supernatural<br />

terms. <strong>The</strong>se, like Hannibal‟s ever-closer approach to the city, become noticeably more<br />

explicit over time if considered as progressing from Polybian „luck‟ through Livy‟s two<br />

days of hailstorms to direct intervention by Jupiter and Juno in the Punica and Florus‟<br />

reference to authors (and audience) accepting the roles of the gods defending the city in<br />

historiographical texts.<br />

Representations of Hannibal marching on Rome before 211<br />

Hannibal is sometimes represented as marching to Rome or considering marching to<br />

Rome prior to 211 especially after certain victories, but for various reasons it does not<br />

happen. <strong>The</strong> explanations, however, for Hannibal not marching on Rome, are not<br />

concerned with his lack of resources to attack a walled city, his distance from the city or<br />

other pragmatic reasons, but instead they relate to his state of mind, natural forces or<br />

divine intervention. <strong>The</strong> emphasis on such reasons as Hannibal‟s state of mind or natural<br />

phenomena allows for these representations to be read as literary motifs and compared<br />

as foreshadowing features in relation to his actual appearance in 211. This interpretation<br />

is supported by the frequency with which these representations are located in the texts<br />

prior 211; the patterning of Hannibal‟s threats to the city in Livy‟s text is particularly<br />

striking, and discussed first before the more general comparisons.<br />

Livy’s theme of Hannibal marching on Rome<br />

Hiberum traiecisse ad delendum nomen Romanorum liberandumque<br />

orbem terrarum.<br />

Livy, 21.30.3<br />

<strong>The</strong>y had crossed the Ebro, in order to wipe out the name of the<br />

Romans and liberate the world.<br />

Adapted from Foster, 1949, 87.<br />

79

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