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SLC Thesis Template - ResearchSpace@Auckland - The University ...

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elieving that only Hasdrubal‟s untimely death prevented him from taking action<br />

against Rome (Hist. 3.12.3-4).<br />

Livy‟s portrayal of Hasdrubal is quite different, although, in Roman terms, it is still<br />

negative. Hasdrubal prefers diplomacy or bribery, not force of arms, in order to gain<br />

influence over the Spanish tribes, and, in keeping with a diplomatic persona, instead of<br />

preparing for war, he renews a treaty with Rome foedus renovaverat (Livy, 21.2.7).<br />

Simultaneously, this representation of Hasdrubal fulfils a literary role as a contrast<br />

figure sandwiched between the more aggressive Hamilcar and Hannibal figures.<br />

Cornelius Nepos similarly draws a negative portrait of Hasdrubal that is not aggressive,<br />

describing him as the first person to undermine the mores of the Carthaginians through<br />

the use of bribery (Nepos, Hamilcar, 3.3).<br />

Cornelius Nepos includes a colourful rumour about Hasdrubal as Hamilcar Barca‟s<br />

toyboy and when other Carthaginians attempt to break the liaison, Hamilcar makes<br />

Hasdrubal his son-in-law (Cornelius Nepos, Hamilcar, 3.2). Cornelius Nepos‟ treatment<br />

of Hasdrubal contrasts with his surprisingly respectful introduction to the Hamilcar and<br />

Hannibal biographies:<br />

De quibus quoniam satis dictum putamus, non incommodum videtur<br />

non praeterire Hamilcarem et Hannibalem, quos et animi magnitudine<br />

et calliditate omnes in Africa natos praestitisse constat.<br />

45<br />

Cornelius Nepos, De regibus, 3.5<br />

Since I think that I have said enough about these kings, it seems fitting<br />

not to pass over Hamilcar and Hannibal, who are generally admitted to<br />

have surpassed all men of African birth in greatness of soul and<br />

sagacity.<br />

Rolfe, 1984, 253.<br />

This assessment may be drawn from an earlier tradition because Plutarch quotes Cato<br />

the Elder as writing that kings, even those with great reputations, could not be compared<br />

to Epaminondas, Pericles, <strong>The</strong>rmistocles or Hamilcar Barca (Plutarch, Cato the Elder,<br />

8).<br />

Silius Italicus creates a dramatic vignette as the backdrop to Hannibal‟s rise to power<br />

in Spain that draws on certain aspects of the different traditions found in each of

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