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the abbreviated reign of “neon” leon spinks

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OOPS 98<br />

maintain that with few exceptions, almost any smell can be produced and<br />

sent out to <strong>the</strong> audience, and fur<strong>the</strong>rmore, any <strong>the</strong>ater equipped for sound<br />

can handle <strong>the</strong> odors, which are synchronized with <strong>the</strong> action <strong>of</strong> <strong>the</strong> picture<br />

just as <strong>the</strong> sound is.” The New York Times was a bit more reserved,<br />

noting that audiences thought <strong>the</strong> film’s simulated bacon aroma didn’t<br />

quite seem real, but that <strong>the</strong> incense was on <strong>the</strong> mark.<br />

Laube returned to <strong>the</strong> United States in 1944 intending to market a<br />

version <strong>of</strong> his smell-producing technology to <strong>the</strong> nascent medium <strong>of</strong> television.<br />

Laube claimed that he could produce five hundred different scents<br />

with a small, inexpensive gadget that could be installed inside a TV set. A<br />

1946 United Press account <strong>of</strong> Laube’s demonstration <strong>of</strong> “Scentovision” in<br />

a New York hotel suite depicted him as laconic and wary about revealing<br />

too much about his invention. Never<strong>the</strong>less, <strong>the</strong> correspondent came away<br />

impressed: “Laube has one view <strong>of</strong> a circus at work which gives <strong>of</strong>f such<br />

realistic odors that his audience almost always lets out a yell and runs for<br />

<strong>the</strong> window.”<br />

In 1955, Laube set up his apparatus at <strong>the</strong> Cinerama- Warner Theatre<br />

at Forty-seventh and Broadway in Manhattan. He filmed a ten-minute<br />

pi lot film, with seventeen different odors, to show to test audiences. Never<strong>the</strong>less,<br />

for reasons lost to history, <strong>the</strong> televi sion industry passed on<br />

Laube’s invention. The inventor also approached supermarkets with <strong>the</strong><br />

idea <strong>of</strong> projecting slides <strong>of</strong> oranges, smoked ham, and chocolate pie, accompanied<br />

by <strong>the</strong> appropriate scents, as a way to entice shoppers. But<br />

that, too, proved fruitless.<br />

The Sweet Smell <strong>of</strong> Excess<br />

Laube finally found a patron in Michael Todd Jr., <strong>the</strong> son <strong>of</strong> fl amboyant<br />

Broadway and Hollywood producer Michael Todd. The elder<br />

Todd, who today is best remembered as one <strong>of</strong> Elizabeth Taylor’s husbands,<br />

had put on a series <strong>of</strong> successful musical spectaculars at <strong>the</strong> same<br />

world’s fair at which Laube first exhibited his experimental smell movie.<br />

A decade and a half later, Todd and his collaborator-son were looking at

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