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the abbreviated reign of “neon” leon spinks

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OOPS 162<br />

manhood would look like a habitual patron at <strong>the</strong> Loser’s Lounge. (No<br />

wonder that comedian Steve Martin made <strong>the</strong> leisure suit <strong>the</strong> favored attire<br />

<strong>of</strong> <strong>the</strong> Festrunk bro<strong>the</strong>rs, those pair <strong>of</strong> “wild and crazy” sex-crazed<br />

eastern Euro pe an émigré-rubes that he and Dan Aykroyd portrayed on<br />

Saturday Night Live.)<br />

How easy it is to forget that for a brief, hallucinatory interlude in<br />

<strong>the</strong> mid-1970s, <strong>the</strong> leisure suit seemed like <strong>the</strong> hottest phenomenon ever<br />

in <strong>the</strong> history <strong>of</strong> <strong>the</strong> American menswear industry. In 1974, males across<br />

<strong>the</strong> United States spent <strong>the</strong> equivalent <strong>of</strong> $6.7 billion in today’s dollars on<br />

leisure suits, and clamored for <strong>the</strong>m so frantically that manufacturers<br />

couldn’t keep up with <strong>the</strong> demand. In 1975, at one Manhattan men’s<br />

store, 65 percent <strong>of</strong> <strong>the</strong> suits sold were <strong>of</strong> <strong>the</strong> leisure variety. In 1976, <strong>the</strong><br />

high-water mark <strong>of</strong> <strong>the</strong> leisure suit’s popularity, a single Chicago clothing<br />

store, Richman Bro<strong>the</strong>rs, sold seventy thousand <strong>of</strong> <strong>the</strong> garments. But <strong>the</strong><br />

garment that now crowds thrift- store racks was more than just ano<strong>the</strong>r<br />

short-lived fashion experiment gone awry, like <strong>the</strong> eight-buttoned neo-<br />

Edwardian look in <strong>the</strong> 1960s or voluminous parachute pants in <strong>the</strong> 1980s.<br />

Strange as it may seem, <strong>the</strong>re was a time when <strong>the</strong> leisure suit was hailed<br />

as <strong>the</strong> most revolutionary development in men’s attire since <strong>the</strong> waistcoat<br />

and breeches were supplanted by <strong>the</strong> business suit in <strong>the</strong> mid-1800s.<br />

For generations, middle-class American males had struggled in<br />

vain with <strong>the</strong> intricacies <strong>of</strong> <strong>the</strong> Windsor knot, and meekly complied with<br />

<strong>the</strong> dictum that <strong>the</strong>y needed one wardrobe for <strong>the</strong> <strong>of</strong>fi ce—tailored according<br />

to mysterious, niggling rules <strong>of</strong> propriety—and ano<strong>the</strong>r set <strong>of</strong> clo<strong>the</strong>s<br />

for <strong>the</strong> rest <strong>of</strong> <strong>the</strong>ir waking hours. As tacky as it might look to us today, to<br />

<strong>the</strong> man <strong>of</strong> <strong>the</strong> 1970s, <strong>the</strong> leisure suit <strong>of</strong>fered permanent, necktie-free liberation<br />

from fashion faux pas. It was advertised as <strong>the</strong> first male attire that<br />

could be worn appropriately at virtually any occasion, from <strong>the</strong> boardroom<br />

to <strong>the</strong> nightclub dance fl oor.<br />

“Can an executive wear at work what he wears at play?” a Macy’s<br />

television commercial asked. “Can a lawyer meet with a client dressed like

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