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the abbreviated reign of “neon” leon spinks

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OOPS 58<br />

<strong>the</strong> bridge to save himself. He called <strong>the</strong> newspaper <strong>of</strong>fice to say he was<br />

coming in to write about <strong>the</strong> experience, and urged <strong>the</strong> city desk send a<br />

reporter and photographer to <strong>the</strong> scene.<br />

Reporter Howard Clifford grabbed his camera, and he and fellow<br />

reporter Bert Brintnall drove to <strong>the</strong> bridge to look for a story, ultimately<br />

deciding that, if nothing else, <strong>the</strong>y could rescue Tubby from Coatsworth’s<br />

abandoned car and write about that. They arrived about <strong>the</strong> same time as<br />

Farquharson, who had driven an hour from Seattle to take film and photos<br />

<strong>of</strong> <strong>the</strong> bridge’s behavior in <strong>the</strong> wind. Barney Elliott and Harbine Monroe,<br />

co-owners <strong>of</strong> <strong>the</strong> Camera Shop in Tacoma, had grabbed <strong>the</strong>ir Bell & Howell<br />

16mm camera with <strong>the</strong> same idea in mind.<br />

A few minutes after 10 a.m., reporters Clifford and Brintnall started<br />

walking out to Coatsworth’s car. They didn’t get far, maybe twenty yards,<br />

when <strong>the</strong> bridge’s swaying motion first mutated into <strong>the</strong> violent twist that<br />

Farquharson had observed during his wind-tunnel tests. By 10:07, <strong>the</strong><br />

roadway was tilting up to a 45-degree angle, with one side twenty-eight<br />

feet above <strong>the</strong> o<strong>the</strong>r. The question <strong>of</strong> why that twisting began under those<br />

conditions has been <strong>the</strong> subject <strong>of</strong> intense aerodynamic study in <strong>the</strong> decades<br />

since, but as Farquharson had predicted, it was <strong>the</strong> moment when<br />

<strong>the</strong> bridge was clearly doomed.<br />

“I’d gone just a short distance when I heard a popping sound, like<br />

rifl e fire,” Clifford recalled to <strong>the</strong> Seattle Times in 1990. “It was <strong>the</strong> cables<br />

that supported <strong>the</strong> bridge deck. They were breaking and flying around in<br />

<strong>the</strong> air.”<br />

The next forty-five minutes were painfully well chronicled. The<br />

wind ebbed and flowed, but around 10:30 a large chunk <strong>of</strong> <strong>the</strong> center span<br />

broke loose and dropped 195 feet into <strong>the</strong> water below. Thirty minutes<br />

later, <strong>the</strong> twisting motion resumed, and <strong>the</strong> end began. “Massive steel<br />

girders twisted like rubber,” Hobbs wrote. “Bolts sheered and fl ew into<br />

<strong>the</strong> wind. Six light poles on <strong>the</strong> east end broke <strong>of</strong>f like matchsticks. Steel<br />

suspender cables snapped, flying into <strong>the</strong> air ‘like fishing lines,’ as Farquharson<br />

said.” (Accounts differ, but Hobbs concludes that <strong>the</strong> engineering

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