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the abbreviated reign of “neon” leon spinks

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OOPS 108<br />

Radiation Suits at <strong>the</strong> Junior Miss Pageant<br />

With <strong>the</strong> exception <strong>of</strong> Aztec, Maya, and Inca weavers in <strong>the</strong> pre-<br />

Columbian Americas who fashioned garments from palm leaves, most<br />

people throughout history would probably have seen throwaway clothing<br />

as lunacy. From <strong>the</strong> togas <strong>of</strong> ancient Romans to Victorian matrons’ billowing<br />

skirts, clothing was made <strong>of</strong> materials prized for durability—wool,<br />

cotton, silk, lea<strong>the</strong>r—as well as appearance. But washing, ironing, and<br />

mending all those durable garments was hard work, which usually fell to<br />

women. To solve that problem, Edward Bellamy, author <strong>of</strong> <strong>the</strong> 1888 utopian<br />

novel “Looking Backward: 2000–1887,” envisioned <strong>the</strong> stylish liberated<br />

woman <strong>of</strong> <strong>the</strong> millennium as clad in disposable, recyclable paper<br />

trousers, which would reinforce equality by freeing females from <strong>the</strong><br />

drudgery <strong>of</strong> hand laundering.<br />

Bellamy may have been <strong>the</strong> first to dream up disposable clothing<br />

for women, but it took three-quarters <strong>of</strong> a century for his idea to resonate.<br />

After World War II, manufacturers began to make products such as<br />

teabags and polishing cloths from syn<strong>the</strong>tic fibers that were bonded toge<strong>the</strong>r<br />

ra<strong>the</strong>r than woven. (According to legend, <strong>the</strong> idea dates back to<br />

ancient camel drivers in <strong>the</strong> Middle East, who stuffed tufts <strong>of</strong> unwoven<br />

wool between <strong>the</strong>ir sandals and <strong>the</strong> soles <strong>of</strong> <strong>the</strong>ir feet, creating a primitive<br />

version <strong>of</strong> <strong>the</strong> Dr. Scholl’s gel innersole.) In <strong>the</strong> mid-1950s, Wisconsinbased<br />

paper products manufacturer Kimberly-Clark developed a new<br />

wood-based fabric, K-200, at <strong>the</strong> behest <strong>of</strong> <strong>the</strong> Atomic Energy Commission,<br />

which wanted overalls that could be used once and thrown away to<br />

avoid contamination. Paper, Film and Foil Converter, an industry journal,<br />

predicted that “garments made <strong>of</strong> K-200 will some day become an important<br />

factor in <strong>the</strong> nation’s clothing industry.”<br />

Kimberly-Clark design con sultant Vera de Give touted <strong>the</strong> idea <strong>of</strong><br />

using K-200 to make dresses. “I expect to see <strong>the</strong> time when a woman can<br />

buy a fashionable dress for a mere nothing and throw it away after one<br />

wearing,” she told a newspaper interviewer in 1956. That same year, Dr.<br />

Dorothy Lyle <strong>of</strong> <strong>the</strong> National Institute <strong>of</strong> Dry Cleaning displayed a knit-

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