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the abbreviated reign of “neon” leon spinks

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UNDERSTAND THE MARKET 133<br />

Considering Hendrix’s distaste for <strong>the</strong> Monkees’ music and resent-<br />

ment <strong>of</strong> what he saw as <strong>the</strong>ir undeserved fame, he and his bandmates hit<br />

it <strong>of</strong>f fairly well with <strong>the</strong> Prefab Four. It helped that <strong>the</strong> Monkees were<br />

refreshingly unpretentious about <strong>the</strong>ir humble abilities. “Peter Tork could<br />

play banjo, Mike Nesmith could play guitar, Micky Dolenz was one hell<br />

<strong>of</strong> a nice guy, and Davy Jones was extremely short,” Mitchell recalled in<br />

his book. Tork carried a copy <strong>of</strong> <strong>the</strong> I Ching with him, and he and Hendrix<br />

had some talks about Eastern mysticism. “We had a lot <strong>of</strong> fun on <strong>the</strong><br />

plane and between shows with Jimi,” Tork recalled in Glenn A. Baker’s<br />

1986 book, Monkeemania. “He taught me how to play guitar vibrato one<br />

day.”<br />

But <strong>the</strong> Monkees’ fans were an insurmountable problem. The tour<br />

opened at <strong>the</strong> Coliseum in Jacksonville, Florida, where organizers made<br />

<strong>the</strong> mistake <strong>of</strong> having ano<strong>the</strong>r band open <strong>the</strong> show so that <strong>the</strong> Jimi Hendrix<br />

Experience came on just before <strong>the</strong> Monkees were to appear. In his<br />

early career Hendrix undoubtedly had played for some tough audiences<br />

in seedy roadhouses, but this was something new—row after row <strong>of</strong><br />

elementary-school-age girls and <strong>the</strong>ir parents. Less than halfway through<br />

<strong>the</strong> fi rst number, <strong>the</strong> impatient preteenyboppers were already screaming<br />

for him to yield <strong>the</strong> stage to <strong>the</strong>ir idols.<br />

“We could have been Tom and Jerry on stage,” drummer Mitchell<br />

would recall. “They didn’t care.”<br />

It was <strong>the</strong> first <strong>of</strong> seven concerts in as many nights, and things only<br />

got worse. Hendrix’s twenty- to twenty-fi ve-minute sets drew crowd reactions<br />

that Hendrix biographer Harry Shapiro describes as “from muted<br />

to hostile.” When Hendrix launched into “Foxy Lady,” one <strong>of</strong> his signature<br />

tunes, <strong>the</strong> Monkees fans mocked him by chanting “Foxy Davy!”<br />

over his singing.<br />

The parents were an even bigger problem, Dolenz recalled in his<br />

memoir. “They were probably not too crazy about having to sit through a<br />

‘godawful’ Monkees concert anyway, much less see this black guy in a<br />

psychedelic DayGlo blouse, playing music from hell.”

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