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the abbreviated reign of “neon” leon spinks

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OOPS 102<br />

But despite Laube’s years <strong>of</strong> laborious effort, on opening night<br />

Smell-O-Vision didn’t work as intended. According to Variety, moviego-<br />

ers in <strong>the</strong> balcony complained that <strong>the</strong> aromas reached <strong>the</strong>m a few seconds<br />

after <strong>the</strong> action on <strong>the</strong> screen, and were accompanied by a distracting hissing<br />

sound. Crow<strong>the</strong>r, <strong>the</strong> New York Times critic, complained that <strong>the</strong> aromas<br />

were too faint, so that “patrons sit <strong>the</strong>re sniffling and snuffling like a<br />

lot <strong>of</strong> bird dogs, trying hard to catch <strong>the</strong> scent.” He caustically suggested<br />

that Todd Jr. pump laughing gas into <strong>the</strong> audience instead, since <strong>the</strong> fi lm’s<br />

acting and script seemed to him nearly as sparse as <strong>the</strong> aromas.<br />

Despite <strong>the</strong> care Laube had taken in designing his system, <strong>the</strong> audience<br />

apparently was still afflicted with <strong>the</strong> same olfactory fatigue that<br />

had doomed AromaRama—though, perhaps because <strong>of</strong> <strong>the</strong> delivery<br />

method, <strong>the</strong>y perceived it as an absence ra<strong>the</strong>r than excess. As Todd recalled<br />

years later in an interview with Roy Frumkes <strong>of</strong> Films in Review<br />

magazine, Todd Jr.’s press agent, Bill Doll, finally suggested that <strong>the</strong><br />

Smell-O-Vision pump be reversed after each scent. “It sucked air back so<br />

that <strong>the</strong>re was no overhang on <strong>the</strong> previous smell,” Todd Jr. explained to<br />

Frumkes. “O<strong>the</strong>rwise it just sort <strong>of</strong> drifted in between smells. It wasn’t<br />

overpowering, but just enough not to make <strong>the</strong> clearest delineation.” With<br />

that small adjustment, Todd claimed, Smell-O-Vision worked just fi ne.<br />

But it was too late. Negative reviews and word <strong>of</strong> mouth had already<br />

doomed <strong>the</strong> film to oblivion. (Quipped comedian Henny Youngman:<br />

“I didn’t understand <strong>the</strong> film—I had a cold.”) Todd Jr. shelved plans<br />

for installing Smell-O-Vision in one hundred <strong>the</strong>aters around <strong>the</strong> world,<br />

and <strong>the</strong> film eventually was rereleased as Holiday in Spain, minus <strong>the</strong><br />

odors. As a British newspaper, <strong>the</strong> Daily Telegraph, noted, “<strong>the</strong> fi lm acquired<br />

a baffling, almost surreal quality, since <strong>the</strong>re was no reason why,<br />

for example, a loaf <strong>of</strong> bread should be lifted from <strong>the</strong> oven and thrust into<br />

<strong>the</strong> camera for what seemed to be an unconscionably long time.”<br />

With <strong>the</strong> failure <strong>of</strong> Scent, Laube, Smell-O-Vision’s inventor, quietly<br />

disappeared. Todd Jr.’s Hollywood career similarly petered out. He<br />

announced plans to make two more films—a sci- fi picture, The Creature

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