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the abbreviated reign of “neon” leon spinks

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OOPS 208<br />

<strong>the</strong> evolution <strong>of</strong> American football—and pitched with unabashed appeal<br />

to what American Demographics magazine labeled “Guy Culture”—was<br />

just weeks away from <strong>the</strong> coroner’s door, a victim <strong>of</strong> overreaching ambition,<br />

poor execution, and televi sion ratings that essentially fl atlined after<br />

<strong>the</strong> first half <strong>of</strong> <strong>the</strong> very first league game. To anyone not distracted by <strong>the</strong><br />

cheerleaders and manufactured excitement, <strong>the</strong> Million Dollar Game was<br />

dead on arrival, with perhaps its most appropriate epitaph spoken weeks<br />

later by media buyer Bob Igiel to a reporter for Mediaweek magazine:<br />

“The XFL was an embarrassment for sports and for NBC. It was a complete<br />

waste <strong>of</strong> time.”<br />

On a brighter note, only a special kind <strong>of</strong> business can lose more<br />

than $70 million in just fifteen months. Surely that’s some kind <strong>of</strong> record.<br />

The Promise <strong>of</strong> Neanderthal Football<br />

Vince McMahon, who first conjured <strong>the</strong> XFL illusion by announcing<br />

plans for <strong>the</strong> league in February 2000, came to that fateful crossroads<br />

in his life as both a man <strong>of</strong> admirable achievement and one searching for<br />

mainstream respectability. On <strong>the</strong> one hand, he was without question a<br />

staggeringly successful self-made sports entertainment entrepreneur. On<br />

<strong>the</strong> o<strong>the</strong>r, McMahon’s fortune was derived from a decidedly lowbrow pursuit:<br />

pr<strong>of</strong>essional wrestling. He was most viciously characterized by author<br />

Brett Forrest, who in his 2002 XFL autopsy report, Long Bomb: How<br />

<strong>the</strong> XFL Became TV’s Biggest Fiasco, referred to <strong>the</strong> wrestling impresario<br />

as a “bumpkin billionaire” who’d made his fortune in a trade that “in<br />

many minds clung precariously to a rung one up from porn and cockfi ghting.”<br />

The XFL, Forrest wrote, “wasn’t just McMahon’s attempt at expanding<br />

his wealth, influence, and empire, although it certainly was that.<br />

This was an exertion <strong>of</strong> ano<strong>the</strong>r <strong>of</strong> his visions, that <strong>of</strong> sport’s next step. If<br />

all went according to plan, no amount <strong>of</strong> criticism or envy could deny <strong>the</strong><br />

achievement. The XFL was McMahon’s shot at legitimacy.”<br />

But let’s give credit where it’s due. McMahon had built his World

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