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the abbreviated reign of “neon” leon spinks

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OOPS 136<br />

tragically, that would be cut short. Despite his humiliating experience on<br />

<strong>the</strong> Monkees tour, Hendrix didn’t nurture a grudge against <strong>the</strong> Prefab<br />

Four <strong>the</strong>mselves. In September 1970, he even attended a party in London<br />

for Mike Nesmith. It was <strong>the</strong> last social appearance he would make before<br />

his death a few weeks later as <strong>the</strong> result <strong>of</strong> an accidental overdose <strong>of</strong> sleeping<br />

pills.<br />

The Monkees, meanwhile, continued to chafe at <strong>the</strong>ir public image<br />

as an ersatz rock band. As Hendrix biographer David Henderson has<br />

written, Hendrix’s departure from <strong>the</strong> tour compelled Tork to confront<br />

his own misgivings about <strong>the</strong> Monkees’ lightweight pop and clowning,<br />

which eventually led him to be <strong>the</strong> fi rst to quit <strong>the</strong> group. When <strong>the</strong> TV<br />

show was canceled in <strong>the</strong> spring <strong>of</strong> 1968, <strong>the</strong> band’s members actually<br />

seemed relieved. They subsequently released Head, an arty, experimental<br />

movie made with <strong>the</strong> help <strong>of</strong> <strong>the</strong>ir former TV producer Rafelson and his<br />

<strong>the</strong>n-obscure writer-actor pal Jack Nicholson, which was intended to explode<br />

<strong>the</strong>ir cutesy image once and for all. Perhaps one <strong>of</strong> <strong>the</strong> most diffi cultto-<br />

watch films ever made—in one scene, for example, <strong>the</strong> Monkees are<br />

portrayed as dandruff being combed out <strong>of</strong> actor Victor Mature’s hair—<br />

Head was savaged by critics and became a box-<strong>of</strong>fi ce fl op. Never<strong>the</strong>less,<br />

<strong>the</strong> Monkees unwittingly made ano<strong>the</strong>r, more significant contribution to<br />

1960s cinema. Rafelson used $300,000 <strong>of</strong> his pr<strong>of</strong>i ts from <strong>the</strong>ir TV show<br />

to help finance a low-budget epic about two ex–drug dealers riding motorcycles<br />

on an ultimately fatal existential quest. Easy Rider became a huge<br />

hit and helped launch an era <strong>of</strong> breathtaking creativity on <strong>the</strong> big screen.<br />

“We were on TV playing a band and <strong>the</strong>n wanted to become a<br />

band,” Dolenz explained years later in a newspaper interview. “It’s a bit<br />

like Leonard Nimoy really becoming a Vulcan.”<br />

But <strong>the</strong>y can’t be faulted for having tried. And in time, <strong>the</strong> Monkees<br />

actually achieved lasting notoriety, albeit <strong>of</strong> a humbler sort. Unlike<br />

Jimi Hendrix, <strong>the</strong>y never got close to ascending to <strong>the</strong> pan<strong>the</strong>on <strong>of</strong> <strong>the</strong><br />

guitar gods. But in <strong>the</strong> minds <strong>of</strong> millions, <strong>the</strong>y remained <strong>the</strong> same shaggyhaired<br />

free spirits, a fond reminder <strong>of</strong> a time when <strong>the</strong> younger half <strong>of</strong> <strong>the</strong>

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