Untitled

112 LITERATÛRZINÂTNE, FOLKLORISTIKA, MÂKSLA
Summary
The performance of Schiller’s play “Maria Stuart” in Russia during the period of
Stalin’s terror and purges had urged the Jewish–German producer and theatre critic
Bernhard Reich, at that time living in the Soviet Union, to express veiled condemnation
of repressions. Bernhard Reich entered a discussion on topicality of classics,
which had gone on since the time of creation of the state of proletariat and peasantry.
He managed to single out Mary Stuart speaking about Schiller’s heroine in uncharacteristically
bold terms for that given period, seing in the fate of Mary paralels to the
fate of his repressed spouse and many other repressed persons.
Kopsavilkums
F. Ðillera lugas “Marija Stjuarte” iestudçjums rosinâja Staïina terora laikâ
Padomju Savienîbâ dzîvojoðo ebreju izcelsmes vâcu reþisoru un teâtra kritiíi
Bernhardu Reihu uzveduma zemtekstâ izteikt nosodîjumu represijâm. Bernhards
Reihs uzskatâmi parâda klasikas aktualitâti, par kuru diskusijas noris jau kopð
proletariâta un zemniecîbas valsts dibinâðanas, un aktualizç Marijas Stjuartes tçlu
tajos apstâkïos pârsteidzoði drosmîgâ aspektâ, saskatot Marijâ savas represçtâs
dzîvesbiedres un daudzu viòai lîdzîgo likteni.