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6 LITERATÛRZINÂTNE, FOLKLORISTIKA, MÂKSLA GENDER AND AUTOBIOGRAPHY IN CONTEMPORARY RUSSIAN LITERATURE DZIMUMS UN AUTOBIOGRÂFIJA MÛSDIENU KRIEVU LITERATÛRÂ Marja Rytkönen (Finland) ................................................................................................. 84 PECULIARITIES OF LATVIAN WOMEN’S AUTOBIOGRAPHICAL WRITING IN THE 1990S. 1990. GADU LATVIEÐU RAKSTNIEÈU AUTOBIOGRÂFISKÂS LITERATÛRAS RAKSTUROJUMS Sandra Meðkova (Latvia) ................................................................................................... 91 FRAUENTAGEBUCH DER “WIENER MODERNE”: ALMA MAHLER–WERFELS “TAGEBUCH–SUITEN” WOMEN DIARIES IN THE “WIENER MODERNE”: “TAGEBUCH–SUITEN” BY ALMA MAHLER–WERFEL SIEVIEÐU DIENASGRÂMATAS “WIENER MODERNE” LAIKÂ: ALMAS MÂLERES–VERFELES “TAGEBUCH–SUITEN” Tatjana Kuharenoka (Latvia) ............................................................................................. 98 ÃÐÀÆÄÀÍÑÊÎÅ ÌÓÆÅÑÒÂÎ ÒÅÀÒÐÎÂÅÄÀ Á. ÐÅÉÕÀ Â ÈÍÒÅÐÏÐÅÒÀÖÈÈ ÏÜÅÑÛ Ô. ØÈËËÅÐÀ «ÌÀÐÈß ÑÒÞÀÐÒ» Â ÑÎÂÅÒÑÊÎÉ ÐÎÑÑÈÈ ÂÐÅÌÅÍ ÌÀÑÑÎÂÎÃÎ ÒÅÐÐÎÐÀ B. REICHS CIVIL COURAGE IN THE INTERPRETATION OF SCHILLERS PLAY “MARIA STUART” IN SOVIET RUSSIA DURING THE YEARS OF MASS TERROR B. REIHA PILSONISKÂ DROSME F. ÐILLERA LUGAS “MARIJA STJUARTE” INTERPRETÇJUMÂ PADOMJU KRIEVIJÂ MASU TERORA APSTÂKÏOS Beâte Paðkevica (Latvija) ................................................................................................... 106 MÎÑÊÎÂÑÊÀß ÑÖÅÍÀ Â ÏÀÐÀÄÈÃÌÅ ÑÎÂÐÅÌÅÍÍÎÉ ÊÓËÜÒÓÐÛ MOSCOWER STAGE IN THE PARADIGM OF CONTEMPORARY CULTURE: THE RUSSIAN THEATER AT THE TURN OF THE MILLENIUM MASKAVAS SKATUVE MÛSDIENU KULTÛRAS PARADIGMÂ: KRIEVIJAS TEÂTRIS TÛKSTOÐGADES MAIÒÂ Anna Vislova (Russia) ....................................................................................................... 113 “DER ROMAN ZUM FILM”, ODER: BÜCHER IM MEDIENWETTBEWERB FILM–BOOK BOOKS AS COMPETITORS OF OTHER MEDIA “ROMAN ZUM FILM” JEB GRÂMATAS MEDIJU KONKURENCES APSTÂKÏOS Sandija Iesalniece (Latvija) ................................................................................................. 122 THE HANDELSGEIST AND COSMOPOLITANISM: KANT AND HERDER TODAY TIRDZNIECÎBAS GARS UN KOSMOPOLÎTISMS: KANTS UN HERDERS ÐODIEN Dr. Diane Morgan (Great Britain) ..................................................................................... 129 THE SPACE OF DIFFERENCES: CONSTRUCTING THE IMAGES THROUGH THE MULTICULTURAL DIALOGUE ATÐÍIRÎBU TELPA: TÇLU RADÎÐANA MULTIKULTÛRU DIALOGÂ Slavica Srbinovska (Macedonia) ........................................................................................ 137 AMERICANIZATION OF ESTONIA: SOCIAL MECHANISMS AND LITERARY MANIFESTATIONS IGAUNIJAS AMERIKANIZÂCIJA: SOCIÂLAIS MEHÂNISMS UN LITERÂRIE MANIFESTI Krista Vogelberg (Estonia) ................................................................................................. 149
BORDERCROSSINGS IN JANICE KULYK–KEEFER’S NOVEL “HONEY AND ASHES” ROBEÞPÂREJAS DÞENISAS KUÏIKAS–KÎFERES ROMÂNÂ “MEDUS UN PELNI” Edgars Oðiòð (Latvia) ........................................................................................................ 158 NARATÎVA ATTIECÎBAS AR PAÐREFERENCI LATVIEÐU KULTÛRAS TEKSTUÂLAJÂ TELPÂ NARRATIVE RELATION WITH SELFREFERENCE IN LATVIAN TEXTUAL ROOM Dagmâra Beitnere (Latvija) ................................................................................................ 164 OJÂRS VÂCIETIS KÂ LATVIEÐU PADOMJU DZEJAS INTERTEKSTS AN INTERTEXT IN THE LATVIAN SOVIET POETRY: OJARS VACIETIS Ausma Cimdiòa (Latvija) ................................................................................................... 172 LITHUANIA AND LITHUANIANS IN THE YIDDISH LITERATURE OF INTER–WAR LITHUANIA LIETUVA UN LIETUVIEÐI JIDIÐA LITERATÛRÂ STARPKARU LIETUVÂ Tina Lunson (USA) ........................................................................................................... 180 DAÞAS PARALÇLES HERMAÒA ZÛDERMAÒA UN RÛDOLFA BLAUMAÒA DAIÏRADÇ A FEW PARALLELS BETWEEN HERMANN SUDERMANN’S WORKS AND THE WRITINGS OF RÛDOLFS BLAUMANIS Ieva Kalniòa (Latvija) ........................................................................................................ 188 MORPHOSYNTACTIC FEATURES OF ENGLISH AND LATVIAN LINGUISTIC STRUCTURES THAT SERVE POLITENESS FUNCTION PIEKLÂJÎBAS FORMU IZTEIKÐANAI ANGÏU UN LATVIEÐU VALODÂ LIETO LINGVISTISKO STRUKTÛRU MERFOSINTAKTISKÂS ÎPAÐÎBAS Linda Apse (Latvia) ........................................................................................................... 194 RETHINKING JANE AUSTEN’S PERSUASION: A NOVEL OF ITS TIME PÂRDOMÂJOT DÞEINAS OSTINAS DARBU “PÂRLIECÎBA”: SAVA LAIKA ROMÂNS Katri Sirkel (Estonia) ......................................................................................................... 199 RE–THINKING THE ENLIGHTENMENT IN POSTMODERN FICTION: HAWKSMOOR BY PETER ACKROYD PÂRDOMAS PAR APGAISMÎBAS LAIKMETA NOZÎMI POSTMODERNAJÂ DAIÏLITERATÛRÂ: PÎTERA EKROIDA ROMÂNS “HAWKSMOOR” Alex Taube (Latvia) ........................................................................................................... 205 NEW DUBLINERS OF J. O’CONNOR: COHERENCE OF THE IRISH LITERARY TRADITION DÞ. KONORA JAUNIE DUBLINIEÐI: ÎRIJAS LITERÂRÂS TRADÎCIJAS PÇCTECÎBA Tatjana Bicjutko (Latvia) ................................................................................................... 213 IS T.S. ELIOT’S OBJECTIVE CORRELATIVE NECESSARILY A MALE CORRELATIVE? VAI TOMASA STÇRMA ELJOTA MÇRÍA KORELATÎVS IR OBLIGÂTI VÎRIEÐU KORELATÎVS? Gunnar Arrias (Sweden) .................................................................................................... 222 DAS EIGENE UND DAS FREMDE – LAND UND FOLK IN EINIGEN KULTURHISTORISCHEN SCHRRIFTEN BALTISCHER HERKUNFT 7
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LU Akadçmiskais apgâds Baznîcas
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