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Alex Taube. Pârdomas par apgaismîbas laikmeta nozîmi postmodernajâ daiïliteratûrâ: Pîtera ..<br />

207<br />

and miracles are explained away. The supernatural is rejected. There is no place for<br />

mystery in the mechanistic world vision of the enlightened thinkers of the Royal society<br />

because they view the world as consisting solely of material particles in motion.<br />

The spiritual vacuum is filled by the demonic cults and mystical teachings.<br />

The plague and the fire were for Dyer what the earthquake in Lisbon would be<br />

for the philosophers in 1755. The earthquake in Lisbon dashed the most cherished<br />

hopes of the Enlightenment. It shook the belief of the philosophers in an ordered,<br />

predictable world and in a benign rational God. Voltaire said: “After all, the world<br />

does contain evil” 6 . The rationalistic thinkers say that the devil is dead – they deny<br />

the wickedness and corruption of the world. Dyer rejects the mechanistic scientific<br />

philosophy of the Royal Society because it takes a very narrow view of human nature,<br />

seeing man as a rational being and ignoring man’s irrational impulses and desires.<br />

It views humanity as progressive and believes in man’s perfectibility. Rationalist<br />

philosophers emphasize the orderly and harmonious nature of the world functioning<br />

according to the principles of Newton’s mechanics. Dyer, on the contrary, has a<br />

very gloomy and pessimistic view of human nature and of the world. Having experienced<br />

the plague and the Great Fire of London, he finds it impossible to believe in<br />

the existence of order and harmony in the world or in man’s reasonableness and perfectibility.<br />

He speaks about “the Barbarities of Mankind” and of “the weaknesse and<br />

folly of Humane life” 7 , not of harmony or “Rationall Beauty” 8 . He “saw the true<br />

Face of the Great and Dreadfull God” 9 , and that was the face of Satan, not of the<br />

Christian god of love and compassion. For him human life is full of misery and despair,<br />

of pain and suffering. Human existence is wretched and miserable. He “saw<br />

that the intire World was one vast Bill of Mortality” 10 rather than an orderly and<br />

harmonious universe smoothly operating according to the mathematically expressed<br />

laws of physics. He thinks that “Daemons might walk through the Streets even as Men<br />

(on point of Death, many of them) debauch themselves” 11 . Men are like “the Flies on<br />

this Dunghil Earth” 12 . Dyer deplores the misery, wretchedness and corruption of the<br />

world “in this Rationall and mechanicall Age” 13<br />

Dyer does not believe in the power of the experimental philosophy to be of benefit<br />

to humanity as it ignores the actual state of affairs: “when the Cartesians and the<br />

New Philosophers speak of their Experiments, saying that they are serviceable to the<br />

Quiet and Peace of Man’s life, it is a great Lie: there has been no Quiet and there will<br />

be no Peace. The streets they walk in are ones in which Children die daily or are<br />

hang’d for stealing Sixpence; they wish to lay a solid Groundwork (or so they call it)<br />

for their vast Pile of Experiments, but the Ground is filled with Corses, rotten and<br />

rotting others” 14 . The project of the new philosophers is doomed to failure precisely<br />

because they want to base it upon the imperfect and flawed human nature.<br />

Likewise, Dyer doubts the capacity of reason to penetrate the mystery of human<br />

nature and to uncover all its secrets. He thinks that the glorification and privileging<br />

of reason over intuition, emotion, imagination, spirit and revelation is unjustified.<br />

When Wren and Dyer visit Bedlam, Dyer asks “What little Purpose have we to glory<br />

in our Reason when the Brain may so suddenly be disorder’d?” 15 For Dyer the light<br />

of reason does not illuminate the world, which is full of uncertainties and hazards. It<br />

is the world of shadows rather than light: “This mundus tenebrosus, this shaddowy

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