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162 LITERATÛRZINÂTNE, FOLKLORISTIKA, MÂKSLA at home with her family, the traveller still has to face more doubt and confusion as her experiences can not be properly communicated even to her mother. Mother examines the photographs but does not recognise what is shown in them, listens to her daughter’s story and does not find satisfactory answers to her query. What and where, then, is one’s home? Keefer does not provide a definite answer to this question but rather suggests that Rest, refuge, satisfaction – none of these fit what I feel about Staromischyna, or about the Ontario to which I have returned. Perhaps home is only this: inhabiting uncertainty, the arguments fear picks with desire. Not belonging but longing – that we may live in the present, without craving the –past or forcing the future. 13 BIBLIOGRAPHY Keefer Janice Kulyk. The Sacredness of Bridges: writing Immigrant Experience //Literary Pluralities, ed. by C. Verduyn. – Toronto: Broadview Press, 1998. Keefer Janice Kulyk. Honey and Ashes: A Story of Family, 1998. Marald Elisabeth. In Transit: Aspects of Transculturalism in Janice Kulyk Keefer’s, 1996. Bissoondath Neil. Selling Illusions: The Cult of Multiculturalism in Canada. – Toronto: Penguin Books Canada, 1994. REFERENCES 1 Marald Elisabeth. In Transit: Aspects of Transculturalism in Janice Kulyk Keefer’s Travels. – Umea: Umea University Printing Office, 1996, p. 4. 2 Ibid, p. 166. 3 Keefer Janice Kulyk. Honey and Ashes: A Story of Family. 1998, p. 7. 4 Bissoondath Neil. Selling Illusions: The Cult of Multiculturalism in Canada. 1994, p. 27. 5 Keefer Janice Kulyk. Honey and Ashes: A Story of Family. 1998, p. 4. 6 Ibid, pp. 13–14. 7 Ibid, p. 23. 8 Ibid, p. 17. 9 Keefer Janice Kulyk. The Sacredness of Bridges”: writing Immigrant Experience // Literary Pluralities, ed. by C. Verduyn. – Toronto: Broadview Press, 1998, p. 108. 10 Keefer Janice Kulyk. Honey and Ashes: A Story of Family. 1998, p. 232. 11 Ibid, p. 291. 12 Ibid, p. 309. 13 Ibid, p. 328.
Edgars Oðiòð. Robeþpârejas Dþenisas Kuïikas–Kîferes românâ “Medus un pelni” Kopsavilkums 163 Ukraiòu un poïu cilmes kanâdieðu rakstnieces, literatûrzinâtnieces, universitâtes profesores Dþenisas Kuïikas–Kîferes 1998. gadâ publicçtâ grâmata “Medus un pelni” veltîta ìimenes vçstures, etnisko sakòu izpçtei. Lai uzrakstîtu ìimenes vçsturi, ir ne tikai jâpieraksta vecvecâku nostâsti, bet arî jâlasa vçstures apcerçjumi, ìeogrâfiskâs kartes, arhîvu materiâli. Ðajâ procesâ nâkas ðíçrsot robeþas starp valstîm, starp tagadni un pagâtni, iztçli un îstenîbu, pârvarçt valodu barjeras. Kaut gan ciemats, kuru sauc Staromiðèina (tulkojumâ Vecâ Vieta), joprojâm ir turpat, kur bijis jau simtiem gadu, tajâ viss ir mainîjies, un ciemoties pagâtnç nav iespçjams. Ceïojumi iztçlç un arhîvos, viesoðanâs Ukrainâ un Polijâ atklâj vien jaunas pretrunas un noklusçtus traìiskus notikumus tautu un cilvçku pagâtnç. Raugoties no autores izvçlçtâ transkulturâlâ viedokïa, nav iespçjams rast viennozîmîgas atbildes uz daudzajiem pagâtnes un ðodienas jautâjumiem. Jâmçìina dzîvot bez pagâtnes aizspriedumu sloga, necenðoties arî uzspiest savu gribu nâkotnei.
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LU Akadçmiskais apgâds Baznîcas
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