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248 LITERATÛRZINÂTNE, FOLKLORISTIKA, MÂKSLA<br />
intuitively knows the path into the complex interrelationships of the material world,<br />
animate force, and powers of transformation, thus he survives. Moreover he punishes<br />
his wrong–doers.<br />
“The greatest peril of life lies in the fact that human food consists entirely<br />
of souls. All the creatures that we have to kill and eat, all those<br />
that we have to strike down and destroy to make clothes for ourselves,<br />
have souls, souls that do not perish with the body…” 8<br />
And it seems to be one of the truths known to Ughek, thus he cuts monster killed<br />
by the stone into small pieces, cooks him and leaves on the dishes as a treat for the<br />
villagers who subsequently drop dead on having consumed the flesh of the monster<br />
but Ughek himself returned to his but to live with his store, and there he is now. 9<br />
In other cases madness is brought forth for the sake of its origin, hence pointing<br />
to its metaphysical nature, as when the soul of a human is captured by the evil spirit<br />
and is to be released via sacred rituals.<br />
The Kwakiutl Hamatsa Dance for instance is based on the myth of an ancestor<br />
who encountered the supernatural cannibal spirit Bakhbakwalanooksiwey and later<br />
on returned to his fellow–villagers in a wild state. With the help of ritual dances he<br />
was restored to his normal state. In a while the boundaries between the realms of<br />
human creatures and spirits, between the dimensions of present and past were secured<br />
again.<br />
Life, out there in the wild of Canada is a constant concern about survival. The<br />
idea of “enemy” or “threat” is an external world realia, yet the experience of this<br />
phenomenon results in internal pressures and tensions. Fear and panic are one of the<br />
most threatening correlations of the internal and external realms. The vitalized embodiment<br />
of “threat” sits itself somewhere on the threshold of internal and external<br />
reality where Self is opposed to the notion of Other, Unknown, Incomprehensible,<br />
which is incorporation of animosity. “Enemy”, “threat” or “fear” often disguise in<br />
symbolic representations. The mythologies explore the passage between the inner and<br />
outer worlds calling for wide–ranging perspectives. They are neither inside nor outside,<br />
they serve as a medium.<br />
The underlying mechanisms of mental disorders quite common in the Arctic are<br />
obscure. Some part of the mind which usually is reality–bound frees itself to turn to<br />
fantasy and eventually to hallucination. Inner factors of the mind being projected<br />
outward lead one to see monsters, hallucinate his past, become “at one” with the cannibal<br />
spirit. The supernatural reality of Canada was no less threatening and severe to<br />
the peoples of Canada than its physical world. The myths about the Cannibal monsters<br />
of the Canadian forests is one of the examples to the above – mentioned.<br />
The Windigos who were given various names by different bands of Algonquian<br />
peoples are one of those threatening realias. The description of their outlook also<br />
could vary but by and large the existent narrations show them as the most evil and<br />
appalling of spirits.