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The Organization of Chipped-Stone Economies at Piedras Negras ...

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notching; and (3) bifaces th<strong>at</strong> fe<strong>at</strong>ure both pressure and indirect-percussion notching. <strong>The</strong><br />

observ<strong>at</strong>ions used to cre<strong>at</strong>e these types came from an analysis <strong>of</strong> the technology and<br />

morphology <strong>of</strong> the cached eccentrics, and from replic<strong>at</strong>ive experiments. <strong>The</strong> goal <strong>of</strong> using<br />

the general types proposed here is to track changes in the basic reduction str<strong>at</strong>egies<br />

through time. It is possible th<strong>at</strong> each eccentric type may mark a specific reduction<br />

str<strong>at</strong>egy <strong>of</strong> a group <strong>of</strong> knappers. An eccentric form may be produced using a variety <strong>of</strong><br />

reduction str<strong>at</strong>egies and techniques. Vari<strong>at</strong>ion through time is discussed in Chapter 7.<br />

5.5.1: Pressure-Notched Flake<br />

This type <strong>of</strong> eccentric (Figure 5.9) required the least amount <strong>of</strong> knapping skill to<br />

cre<strong>at</strong>e. Nodule reduction flakes and biface-reduction flakes were modified with a<br />

handheld pressure-flaker <strong>of</strong> some kind (e.g., antler, wood, or bone). This type usually is<br />

12 cm or less in length, but larger examples made from extremely large, biface-reduction<br />

flakes do exist. Notches <strong>of</strong>ten were cre<strong>at</strong>ed by removing flakes from only one face <strong>of</strong> the<br />

flake-blank. However, some specimens show th<strong>at</strong> a bifacial margin was cre<strong>at</strong>ed in the<br />

removal <strong>of</strong> the notching flakes. In many cases, the flakes produced during this kind <strong>of</strong><br />

modific<strong>at</strong>ion would not have a discrete morphology, but r<strong>at</strong>her would appear as minute<br />

pieces <strong>of</strong> sh<strong>at</strong>ter. While the technique itself is not difficult to master, the outline <strong>of</strong> the<br />

piece may have required detailed measurements. Since most <strong>of</strong> the pressure-notched flake<br />

eccentrics depict silhouettes <strong>of</strong> Classic Maya gods, and other elabor<strong>at</strong>e n<strong>at</strong>uralistic forms,<br />

the cre<strong>at</strong>ion <strong>of</strong> those forms would have required knowledge <strong>of</strong> ancient Maya artistic<br />

standards.<br />

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