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The Organization of Chipped-Stone Economies at Piedras Negras ...

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5.5.2: Indirect-Percussion Notched Flake<br />

<strong>The</strong>se eccentrics would have been more difficult, physically and technically, to<br />

produce than the pressure-notched flake type. Since this reduction technique requires<br />

more force, thicker, wider, and less fragile flake-blanks were used. <strong>The</strong>se eccentrics<br />

usually are 12 cm or less in length. <strong>The</strong> flake <strong>of</strong> choice usually was an early- or middle-<br />

stage, biface-thinning flake, or a nodule-reduction flake. <strong>The</strong> end result <strong>of</strong> the reduction<br />

process was a rel<strong>at</strong>ively large eccentric, but with a cruder outline than the pressure-<br />

notched type. This type fe<strong>at</strong>ures r<strong>at</strong>her simplistic outlines, and had fewer n<strong>at</strong>uralistic<br />

forms, such as god silhouettes, and more symbolic or iconic forms (e.g., the double-<br />

notched laurel leaf; Figure 5.10). Direct pressure-flaking was <strong>of</strong>ten used to smooth out<br />

the contour <strong>of</strong> the margin. Replic<strong>at</strong>ive experiment<strong>at</strong>ion shows th<strong>at</strong> indirect percussion<br />

produces flakes th<strong>at</strong> are wider, and scars th<strong>at</strong> are deeper, than those made by pressure<br />

(see Titmus and Woods 2003).<br />

5.5.3: Partially-Worked Biface<br />

This c<strong>at</strong>egory is similar to the fully-worked biface eccentrics in th<strong>at</strong> purely<br />

symbolic or iconic forms usually were the intended product (Figure 5.11). <strong>The</strong> distinction<br />

is important, however, because the partially-worked biface eccentrics are not as<br />

symmetrical and have a crooked margin, which retains the curv<strong>at</strong>ure <strong>of</strong> the original flake<br />

or blank. Biface reduction was carried out with a combin<strong>at</strong>ion <strong>of</strong> percussion and pressure<br />

techniques. <strong>The</strong> Maya may not have made a distinction between the fully worked and<br />

partially worked biface-eccentrics, because they were <strong>of</strong>ten deposited together as though<br />

193

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