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The Organization of Chipped-Stone Economies at Piedras Negras ...

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ifaced flakes and cores (Fig. 6.24). Similar to microcrystalline-quartz eccentrics,<br />

obsidian eccentrics <strong>at</strong> <strong>Piedras</strong> <strong>Negras</strong> can be divided between n<strong>at</strong>uralistic and purely<br />

symbolic forms. N<strong>at</strong>uralistic forms <strong>of</strong>ten depict the silhouettes <strong>of</strong> particular gods, people,<br />

and objects, while the symbolic forms appear to be iconic, such as a crescent or star<br />

shape. Although various techniques were used to cre<strong>at</strong>e both styles <strong>of</strong> eccentric, there do<br />

appear to be some general correl<strong>at</strong>ions between technological type and symbolic type.<br />

Each type corresponds to a particular time period, and these p<strong>at</strong>terns are discussed in<br />

Chapter 7.<br />

6.4.1: Notched Blades and Flakes<br />

As mentioned earlier, notched flake and blade eccentrics first appear <strong>at</strong> <strong>Piedras</strong><br />

<strong>Negras</strong> during the Early Classic period, and continued through to the collapse <strong>of</strong> the<br />

dynasty in the early-to-middle ninth century. <strong>The</strong>ir symbolic forms varied through time,<br />

however, as did their frequency <strong>at</strong> any given moment during the Classic period. Notched<br />

blade and flake eccentrics likely are the simplest, technologically speaking, to cre<strong>at</strong>e.<br />

<strong>The</strong>re was little-to-no margin prepar<strong>at</strong>ion and the final form was largely based on the<br />

flake or blade morphology. <strong>The</strong> notching was done with a handheld pressure flaker and<br />

usually was reduced unifacially (i.e., worked on only one face <strong>of</strong> the blank). In a few<br />

cases, notches were cre<strong>at</strong>ed bifacially. This technique, however, requires a thorough<br />

knowledge <strong>of</strong> blade-core technology and religious iconography, and thus cannot be<br />

interpreted as an unspecialized form <strong>of</strong> craft production. <strong>The</strong> evidence for this is th<strong>at</strong><br />

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