10.04.2013 Views

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

difficulty Czech speakers have <strong>in</strong> reproduc<strong>in</strong>g the German or French front round<br />

vowels.<br />

One might th<strong>in</strong>k, from these examples, that it is the shape of the<br />

<strong>in</strong>ventories alone that determ<strong>in</strong>es the nature of the <strong>contrastive</strong> features <strong>in</strong><br />

Jakobson’s approach. However, Jakobson’s further remarks on Russian show<br />

that this is not correct. For he observes that Standard Russian has five contrast<strong>in</strong>g<br />

stressed vowels, phonetically similar to the five short vowels of Czech. But<br />

Russian vowels have front and back allophones determ<strong>in</strong>ed by neighbor<strong>in</strong>g<br />

consonants. <strong>The</strong>refore, he proposes that for the Russian non-low vowels the<br />

contrast of flat to non-flat (lip round<strong>in</strong>g) alone is <strong>contrastive</strong>. In the<br />

<strong>in</strong>dependence of the tonality features, Russian is more like Slovak than like<br />

Czech. <strong>The</strong> evidence is that Russian speakers ‘easily’ reproduce the foreign front<br />

round vowels ü and ö. 5<br />

Jakobson’s analysis of these vowel systems requires mak<strong>in</strong>g a number of<br />

decisions: whether the non-low vowels contrast <strong>in</strong> backness, or roundness, or<br />

whether both features are <strong>in</strong>separable; and whether the low vowels participate <strong>in</strong><br />

these contrasts or not. Such decisions are not self-evident. More surpris<strong>in</strong>g, they<br />

have seldom been discussed explicitly. But this k<strong>in</strong>d of contrast has been central<br />

to phonological theory for a century, because of an abid<strong>in</strong>g <strong>in</strong>tuition that<br />

<strong>contrastive</strong> features are particularly important to the pattern<strong>in</strong>g of sound<br />

5 I am grateful to Wayles Browne for br<strong>in</strong>g<strong>in</strong>g Jakobson’s paper to my attention. For a different<br />

view of the <strong>contrastive</strong> features of Russian vowels see further §8.3.<br />

6

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!