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The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

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Pairwise comparison seems to make sense, and it has been widely used <strong>in</strong><br />

<strong>phonology</strong> (not always explicitly) as a way to isolate <strong>contrastive</strong> features.<br />

2.3. Contrastive specification by feature order<strong>in</strong>g<br />

<strong>The</strong> above analysis of the <strong>contrastive</strong> features of the Standard French bilabial<br />

consonants is not the only one <strong>in</strong> the literature. An entirely different analysis is<br />

given by Jakobson and Lotz (1949). As with the Mart<strong>in</strong>et example above, I will<br />

focus only on their analysis of the bilabial consonants, extract<strong>in</strong>g it from their<br />

larger analysis of the contrasts <strong>in</strong> the French consonant system. I will also modify<br />

their features to conform with the example we have been us<strong>in</strong>g; specifically, I<br />

will cont<strong>in</strong>ue to use [voiced] <strong>in</strong> place of their tense (tense stops are voiceless, non-<br />

tense stops are voiced). With these adjustments, their analysis of the <strong>contrastive</strong><br />

features for the bilabial consonants is as <strong>in</strong> (2.5).<br />

(2.5) Contrastive specifications for French bilabial stops (Jakobson and<br />

Lotz 1949)<br />

p b m<br />

[voiced] – +<br />

[nasal] – – +<br />

Notice that the <strong>contrastive</strong> specifications <strong>in</strong> (2.5) differ from Mart<strong>in</strong>et’s <strong>in</strong><br />

(2.1) <strong>in</strong> that /p/ <strong>in</strong> (2.5) is specified as [–nasal], a specification omitted <strong>in</strong> (2.1).<br />

Jakobson and Lotz arrived at a different <strong>contrastive</strong> specification than Mart<strong>in</strong>et<br />

because they used a different method. <strong>The</strong>y themselves do not make their<br />

method explicit, but we can reconstruct it from later work by Jakobson and his<br />

23

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