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The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

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<strong>The</strong>re are different k<strong>in</strong>ds of b<strong>in</strong>ary features. 11 <strong>The</strong> k<strong>in</strong>d discussed above<br />

have two values, one positive and one negative. As long as we do not attribute<br />

special status to + or –, the two values of a b<strong>in</strong>ary feature have equal status. To<br />

borrow the Prague School term (Trubetzkoy 1969), such features are equipollent.<br />

<strong>The</strong> [+F] ~ [–F] notation <strong>in</strong>troduces an <strong>in</strong>herent asymmetry, however:<br />

[+voiced] feels psychologically different than [–voiceless], because each names<br />

the feature after a different one of its values. It is a small step to suppose that the<br />

two values are not equal <strong>in</strong> status. One could be the default, or unmarked, value,<br />

and the other could be the marked value. <strong>The</strong> terms ‘marked’ and ‘unmarked’ are<br />

also borrowed from the Prague School, who took it somewhat literally, as<br />

mean<strong>in</strong>g that an unmarked feature value is simply not <strong>in</strong>dicated, whereas a<br />

marked value is <strong>in</strong>dicated by a mark. This k<strong>in</strong>d of contrast can be represented as<br />

Ø ~ [F], where Ø represents the absence of a mark and [F] is the marked value. In<br />

Prague School term<strong>in</strong>ology, this k<strong>in</strong>d of b<strong>in</strong>ary contrast is called privative.<br />

Privative contrasts impose more structure on representations than<br />

equipollent ones, and hence require more <strong>in</strong>formation. To make an equipollent<br />

contrast between nasal and oral, it is enough to write [+nasal] ~ [–nasal], or,<br />

equivalently, [–oral] ~ [+oral] (which name we choose has no significance). To<br />

make a privative contrast, we have to decide which is the marked feature.<br />

11 It is also possible to have multi-valued features, either discrete or cont<strong>in</strong>uous. <strong>The</strong>re have been<br />

proposals that multi-valued, even cont<strong>in</strong>uous, features play a role <strong>in</strong> l<strong>in</strong>guistic theory (Broe and<br />

Pierrehumbert 2000, Pierrehumbert, Beckman and Ladd 2000). Nevertheless, I will cont<strong>in</strong>ue to<br />

assume that phonological features are discrete and ma<strong>in</strong>ly b<strong>in</strong>ary.<br />

52

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