10.04.2013 Views

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

6.7. Underspecified <strong>in</strong>puts.................................................................................. 246<br />

6.8. Summary ....................................................................................................... 250<br />

7. Evidence for the Contrastive Hierarchy <strong>in</strong> Phonology ............................ 263<br />

7.1. Introduction .................................................................................................. 263<br />

7.2. Modified Contrastive Specification............................................................. 265<br />

7.3. Ubiquitous feature hierarchies .................................................................... 275<br />

7.4. Vowel harmony ............................................................................................ 284<br />

7.5. Metaphony and contrast limited by doma<strong>in</strong>.............................................. 307<br />

7.6. Consonant co-occurrence restrictions (Mackenzie 2005) .......................... 317<br />

7.7. Loanword adaptation as evidence of phonological organization ............ 319<br />

7.8. <strong>The</strong> acquisition of dist<strong>in</strong>ctive features and contrasts ................................ 327<br />

7.9. Ref<strong>in</strong><strong>in</strong>g the Contrastivist Hypothesis........................................................ 332<br />

7.10. Summary ................................................................................................... 338<br />

8. Other approaches to contrast <strong>in</strong> <strong>phonology</strong>............................................... 343<br />

8.1. Introduction .................................................................................................. 343<br />

8.2. A perceptual-functional account of labial harmony triggers? .................. 345<br />

8.3. Dispersion-theoretic approaches to contrast.............................................. 348<br />

8.4. Structured Specification <strong>The</strong>ory and contrast via natural classes ............ 370<br />

8.5. Clements’s approach to <strong>contrastive</strong> specification...................................... 381<br />

8.6. Calabrese (2005): Visibility <strong>The</strong>ory ............................................................. 385<br />

8.7. ‘M<strong>in</strong>imal’ contrast......................................................................................... 399<br />

9. Conclusion..................................................................................................... 407<br />

References ................................................................................................................. 411<br />

ix

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!