10.04.2013 Views

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Divided up as <strong>in</strong> (8.42a), the lack of voiced cont<strong>in</strong>uants could be called<br />

‘accidental’: the feature [cont<strong>in</strong>uant] occurs <strong>in</strong> the doma<strong>in</strong> of [–voiced], but there<br />

happen not to be any cont<strong>in</strong>uants under [+voiced]. Another way of divid<strong>in</strong>g up<br />

the <strong>in</strong>ventory (8.42b) makes the gap appear to be more ‘systematic’: voic<strong>in</strong>g<br />

contrasts are permitted <strong>in</strong> the doma<strong>in</strong> of [–cont<strong>in</strong>uant], but not <strong>in</strong> the doma<strong>in</strong> of<br />

[+cont<strong>in</strong>uant]. On this analysis the fricatives have no <strong>contrastive</strong> specification for<br />

[voiced], a result that is contradicted by their behaviour with respect to voic<strong>in</strong>g<br />

alternations. It follows that whether a gap is considered systematic or accidental<br />

is to some extent a matter of po<strong>in</strong>t of view, <strong>in</strong>fluenced by the scope relations<br />

assigned to the relevant features.<br />

8.7. ‘M<strong>in</strong>imal’ contrast<br />

Though Calabrese’s procedure for assign<strong>in</strong>g (non)<strong>contrastive</strong> specifications is<br />

different <strong>in</strong> a number of ways from the Pairwise Algorithm, it shares the<br />

assumption that contrast is determ<strong>in</strong>ed (only <strong>in</strong> part, <strong>in</strong> Calabrese’s case) by<br />

considerations of logical redundancy and m<strong>in</strong>imal pairs. I have argued<br />

throughout this book that <strong>contrastive</strong> specifications must be derived<br />

hierarchically, and not by <strong>in</strong>spection of m<strong>in</strong>imal pairs. This was the ma<strong>in</strong> theme<br />

of Chapter 2, and I have shown <strong>in</strong> subsequent chapters that contrast based on<br />

m<strong>in</strong>imal pairs has been a recurr<strong>in</strong>g approach <strong>in</strong> the history of <strong>phonology</strong>.<br />

It is fitt<strong>in</strong>g, then, to conclude our survey of contemporary approaches to contrast<br />

by emphasiz<strong>in</strong>g that the m<strong>in</strong>imal pairs approach is not just a historical artefact,<br />

but rema<strong>in</strong>s a popular method for determ<strong>in</strong><strong>in</strong>g <strong>contrastive</strong> specifications, even<br />

399

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!