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The contrastive hierarchy in phonology 2009 Dresher.pdf - CUNY ...

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[voiced] > [sonorant]. Such a <strong>hierarchy</strong> is relatively rare. 14 Similarly, we have<br />

seen numerous cases where the choice of [back] or [round] is not arbitrary, but<br />

dictated by considerations of phonological pattern<strong>in</strong>g and activity. As <strong>in</strong> other<br />

areas of l<strong>in</strong>guistic theory, there may be situations <strong>in</strong> which the feature order is<br />

not clear, for lack of decisive evidence po<strong>in</strong>t<strong>in</strong>g to one or another order<strong>in</strong>g. But<br />

such <strong>in</strong>determ<strong>in</strong>acy arises for empirical reasons, not because the theory lacks<br />

coherence or is <strong>in</strong>herently arbitrary.<br />

In Chapter 7 I will pursue these issues <strong>in</strong> the framework of Modified<br />

Contrastive Specification, a theory that developed partly <strong>in</strong> response to the<br />

shortcom<strong>in</strong>gs of these theories of underspecification.<br />

5.4. <strong>The</strong>ories of feature organization<br />

In addition to markedness theory and underspecification theory, generative<br />

<strong>phonology</strong> produced a third family of subtheories that crucially <strong>in</strong>volve<br />

hierarchical relations between dist<strong>in</strong>ctive features. <strong>The</strong>se theories posit that<br />

features are organized <strong>in</strong>to various k<strong>in</strong>ds of structures. This idea was developed<br />

<strong>in</strong> a number of quite different ways, giv<strong>in</strong>g rise to dist<strong>in</strong>ct theories of<br />

phonological representation. Some examples <strong>in</strong>clude what has come to be known<br />

as feature geometry (Clements 1985, Sagey 1986, McCarthy 1988, Clements and<br />

14 It may be premature to rule out such systems, however; compare Hockett’s analysis of Lifu<br />

discussed <strong>in</strong> §3.6. It is noteworthy that Lifu has voiceless sonorants, <strong>in</strong> his analysis. <strong>The</strong>re also<br />

appear to be languages where the feature [sonorant] does not play a major role at all; compare the<br />

dialect of Inuktitut discussed <strong>in</strong> §7.3.<br />

205

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