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Daily Life of the Ancient Greeks

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152 <strong>Daily</strong> <strong>Life</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Greeks</strong><br />

to some o<strong>the</strong>r means <strong>of</strong> support and a crossbeam was placed on top<br />

with a vessel balanced at each end. Under each vessel stood a pan<br />

<strong>of</strong> water with an object fixed upright in <strong>the</strong> center. Players were<br />

required to flick a drop <strong>of</strong> wine from <strong>the</strong>ir cups into one <strong>of</strong> <strong>the</strong> vessels.<br />

The object was to cause <strong>the</strong> vessel to topple <strong>of</strong>f and strike <strong>the</strong><br />

object in <strong>the</strong> center <strong>of</strong> <strong>the</strong> pan. The winner was <strong>the</strong> one who spilled<br />

<strong>the</strong> least wine and made <strong>the</strong> most noise. Ano<strong>the</strong>r game was to flick<br />

wine into nutshells that were floating in a kratêr or mixing bowl<br />

filled with water so as to make <strong>the</strong>m sink.<br />

Dancing was also popular. One <strong>of</strong> <strong>the</strong> most famous symposiastic<br />

dances was <strong>the</strong> kordax, which, according to Theophrastos (Characters<br />

6.3), a man would be out <strong>of</strong> senses to dance when sober.<br />

Unfortunately, we have no description <strong>of</strong> <strong>the</strong> kordax, though we do<br />

<strong>of</strong> o<strong>the</strong>r energetic dances that it probably resembled. At <strong>the</strong> end <strong>of</strong><br />

Aristophanes’ Wasps, <strong>the</strong> Chorus encourages <strong>the</strong> elderly Philokleon<br />

thus, “Whirl around, punch yourself in <strong>the</strong> belly, hurl your leg skyhigh,<br />

become a spinning top!” (line 1529f.).<br />

Hired Entertainers<br />

In Plato’s Protagoras, Sokrates makes <strong>the</strong> following haughty pronouncement:<br />

Where <strong>the</strong> drinkers are men <strong>of</strong> breeding and culture, you won’t see flute<br />

girls or dancing girls girls playing <strong>the</strong> harp. They are quite capable <strong>of</strong><br />

being in one ano<strong>the</strong>r’s company without such frivolity and foolery, using<br />

<strong>the</strong>ir own voices and each taking his turn to speak or listen in sober fashion,<br />

even if <strong>the</strong>y drink a lot. (347d)<br />

It is questionable, however, whe<strong>the</strong>r Sokrates was quite such a killjoy<br />

as Plato suggests. Xenophon, who, like Plato, was a personal<br />

friend <strong>of</strong> Sokrates and also wrote a dialogue entitled Symposium,<br />

paints a strikingly different picture <strong>of</strong> <strong>the</strong> great philosopher in his<br />

cups. In it we encounter a Sokrates who delighted in <strong>the</strong> acrobatics<br />

<strong>of</strong> <strong>the</strong> hired entertainers and who even deigned to make a spectacle<br />

<strong>of</strong> himself by attempting to emulate <strong>the</strong>ir agile movements.<br />

Whatever <strong>the</strong> truth about Sokrates’ liking for live entertainment,<br />

hired entertainers were in great demand among <strong>the</strong> drinking fraternity<br />

as a whole. They included flute girls, dancing girls (<strong>the</strong><br />

ancient equivalent <strong>of</strong> lap dancers perhaps), jugglers, tumblers,<br />

and buffoons.

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