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Daily Life of the Ancient Greeks

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Private <strong>Life</strong> 185<br />

speaks keenly to <strong>the</strong> sacrifice made by <strong>the</strong> dead youth on behalf <strong>of</strong><br />

<strong>the</strong> state. It is important to note, however, that kouroi depended on<br />

context and provenance for interpretation. Identical statues have<br />

also been found in sanctuaries <strong>of</strong> Apollo, <strong>the</strong> god who is eternally<br />

poised upon <strong>the</strong> threshold to adulthood. In o<strong>the</strong>r words, it is impossible<br />

to tell whe<strong>the</strong>r a kouros is intended to depict a dead youth or<br />

Apollo, o<strong>the</strong>r than by its provenance or inscription. This ambiguity<br />

tells us much about <strong>the</strong> way in which <strong>the</strong> <strong>Greeks</strong> sought to idealize<br />

death. By being assimilated to <strong>the</strong> youthful god, <strong>the</strong> deceased<br />

becomes ageless and physically perfect for all eternity.<br />

Conclusions<br />

Most <strong>of</strong> <strong>the</strong> evidence about <strong>the</strong> handling <strong>of</strong> death in ancient<br />

Greece relates to A<strong>the</strong>ns. Yet attitudes toward <strong>the</strong> dead surely varied<br />

markedly from one Greek community to ano<strong>the</strong>r. The Spartans,<br />

for instance, were far less circumspect in <strong>the</strong>ir dealings with <strong>the</strong><br />

dead than <strong>the</strong> A<strong>the</strong>nians were. Legislation attributed to <strong>the</strong> lawgiver<br />

Lykourgos attempted to reduce <strong>the</strong> fears associated with<br />

death by permitting burial within <strong>the</strong> precincts <strong>of</strong> <strong>the</strong> city and even<br />

in proximity to sacred places (Plutarch, <strong>Life</strong> <strong>of</strong> Lykourgos 27.1).<br />

Let us take our leave <strong>of</strong> <strong>the</strong> recently deceased by considering a<br />

lêkythos, or olive oil container, on which is depicted a particularly<br />

Hellenistic grave marker from A<strong>the</strong>ns. The raised<br />

band facilitated <strong>the</strong> placing <strong>of</strong> a fillet around <strong>the</strong><br />

marker as a sign <strong>of</strong> respect for <strong>the</strong> dead. From<br />

D. Kurtz and J. Boardman, Greek Burial Customs<br />

(London: Thames and Hudson, 1971). Courtesy <strong>of</strong><br />

University <strong>of</strong> Oxford.

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