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Daily Life of the Ancient Greeks

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284 <strong>Daily</strong> <strong>Life</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Greeks</strong><br />

a hide stretched over <strong>the</strong> hollow underside. Music was produced<br />

by plucking <strong>the</strong> strings, usually seven in number, ei<strong>the</strong>r with<br />

<strong>the</strong> fingers or with a plectrum. A variant on this instrument was<br />

<strong>the</strong> barbiton, which had longer strings. The barbiton was associated<br />

with scenes <strong>of</strong> revelry held in honor <strong>of</strong> Dionysos. Ano<strong>the</strong>r<br />

stringed instrument was <strong>the</strong> harp, whose use seems to have been<br />

confined largely to pr<strong>of</strong>essional musicians.<br />

The most popular wind instrument was <strong>the</strong> aulos. This is <strong>of</strong>ten<br />

identified with <strong>the</strong> flute, although <strong>the</strong> sound it produced was considerably<br />

lower and closer to that <strong>of</strong> <strong>the</strong> oboe or bassoon. The aulos,<br />

which was played at <strong>the</strong> end, unlike its modern counterpart, consisted<br />

<strong>of</strong> a hollow pipe made <strong>of</strong> wood, bronze, bone, or reed. It was<br />

pierced with holes for <strong>the</strong> fingers and fitted with a reed mouthpiece.<br />

Auloi were usually played in pairs. The chorus <strong>of</strong> Greek drama<br />

sang and danced to <strong>the</strong> accompaniment <strong>of</strong> an aulos player, who<br />

also piped soldiers into battle and played an accompaniment to<br />

exercises in <strong>the</strong> palaistra. Ano<strong>the</strong>r wind instrument was <strong>the</strong> syrinx,<br />

which consisted <strong>of</strong> a number <strong>of</strong> pipes <strong>of</strong> graduated length bound<br />

toge<strong>the</strong>r. Variations in pitch were made by blocking <strong>the</strong> inside <strong>of</strong><br />

<strong>the</strong> pipes with wax at different intervals. The syrinx was a somewhat<br />

crude instrument whose invention was attributed to <strong>the</strong> goat<br />

god Pan. No doubt it was especially popular among shepherds, for<br />

whom it would be <strong>the</strong> only source <strong>of</strong> distraction while minding<br />

<strong>the</strong>ir flocks.<br />

The nearest approximation to a brass instrument was <strong>the</strong> salpinx,<br />

a long slender instrument terminating in a bell-shaped aperture.<br />

It was used primarily to herald <strong>the</strong> beginning and end <strong>of</strong> religious<br />

and o<strong>the</strong>r ceremonies. Several percussion instruments are known,<br />

including <strong>the</strong> kymbala, from which <strong>the</strong> word cymbals is derived; <strong>the</strong><br />

tympanon, meaning a small drum; <strong>the</strong> krotala or castanets; and <strong>the</strong><br />

sistra or rattles. They were all commonly used in ecstatic cults, notably<br />

those that had been imported into Greece from <strong>the</strong> East.<br />

THE VISUAL ARTS<br />

In modern culture, art carries a price tag and is <strong>of</strong>ten purchased<br />

ei<strong>the</strong>r as an investment or as a status symbol. Most works <strong>of</strong> art are<br />

intended for private purchase. Art appreciation is a branch <strong>of</strong> connoisseurship<br />

that requires a highly trained, pr<strong>of</strong>essional eye, not<br />

least in order to distinguish between an au<strong>the</strong>ntic work <strong>of</strong> art and<br />

a fake. By and large, <strong>the</strong> public plays a minor role in <strong>the</strong> changing<br />

fortunes <strong>of</strong> an artist’s reputation, which is mainly determined by

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