Daily Life of the Ancient Greeks
Daily Life of the Ancient Greeks
Daily Life of the Ancient Greeks
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170 <strong>Daily</strong> <strong>Life</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Greeks</strong><br />
out his wife to ano<strong>the</strong>r man for <strong>the</strong> purpose <strong>of</strong> impregnating her.<br />
Given <strong>the</strong> extreme emphasis that was placed both on virginity<br />
and on women’s fidelity, it would have required much ingenuity<br />
and not a little luck to conduct a sexual liaison with a well-bred<br />
woman. Perhaps for this reason, <strong>the</strong> image <strong>of</strong> a Don Juan is alien<br />
to Greek culture, o<strong>the</strong>r than in <strong>the</strong> person <strong>of</strong> Zeus. In myth, even<br />
<strong>the</strong> Trojan prince Paris, <strong>the</strong> most notorious <strong>of</strong> all philanderers,<br />
remained faithful to <strong>the</strong> woman he seduced. The exception that<br />
proves <strong>the</strong> rule is Alkibiades, who was much admired by men and<br />
women, and who boasted that he had bedded (and impregnated)<br />
a Spartan queen.<br />
At <strong>the</strong> same time, <strong>the</strong>re was open acknowledgement <strong>of</strong> <strong>the</strong> fact that<br />
male sexuality could not be contained by marriage. Both married<br />
and unmarried men were, <strong>the</strong>refore, free to engage in sex with prostitutes<br />
or slaves. The famous myth <strong>of</strong> Pandora (“All-gifted”), told by<br />
Hesiod in Theogony, defines women as “a beautiful evil” which men<br />
cannot resist, evidently because <strong>of</strong> <strong>the</strong>ir sexual appetite and vulnerability<br />
to female charms. These characteristics are made comic sport<br />
<strong>of</strong> in Aristophanes’ masterpiece Lysistrata, which presupposes that<br />
an international sex strike by women (or more accurately, by wives)<br />
will bring about peace by reducing all <strong>the</strong> combatants to ano<strong>the</strong>r<br />
kind <strong>of</strong> impotence. The popular notion that men were slaves to <strong>the</strong>ir<br />
sexual appetites was balanced by <strong>the</strong> medical belief that women<br />
needed to have sexual intercourse for <strong>the</strong>ir physical and mental<br />
well-being (see section on Health and Sickness in this chapter).<br />
Nakedness<br />
The <strong>Greeks</strong> were remarkably unabashed about <strong>the</strong> depiction <strong>of</strong><br />
male genitals in art. Statues <strong>of</strong> naked youths in <strong>the</strong> guise <strong>of</strong> Apollo<br />
served as funerary markers. Herms, stone pillars with carved heads<br />
and phalluses, marked <strong>the</strong> boundaries <strong>of</strong> properties. Giant phalluses<br />
were borne al<strong>of</strong>t by A<strong>the</strong>nian virgins in Dionysiac processions.<br />
In <strong>the</strong> performance <strong>of</strong> comic plays, actors wore oversize phalluses<br />
made out <strong>of</strong> padding to draw attention to <strong>the</strong>ir sexual organs. It was<br />
also acceptable for a man to display himself naked before o<strong>the</strong>r men,<br />
particularly in a religious context. Male athletes practiced naked at<br />
<strong>the</strong> gymnasium—<strong>the</strong> word means “<strong>the</strong> place <strong>of</strong> nakedness”—and<br />
<strong>the</strong>y also performed naked at <strong>the</strong> festival games. It was evidently<br />
for this reason that women were not allowed to approach <strong>the</strong> sanctuary<br />
<strong>of</strong> Olympian Zeus during <strong>the</strong> Olympic Games or indeed any<br />
o<strong>the</strong>r sanctuary where men were competing naked.