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Programska knjižica - Hrvatsko filozofsko društvo

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Nijedna od nabrojenih akcija nije još dala rezultata. Međutim, tijekom<br />

portage došli smo do zanimljivih detalja o životu u Engleskoj za vrijeme boravka<br />

Ruđera Boškovića i do zanimljivih spoznaja o suvremenicima iz reda<br />

znanstvenika, umjetnika, diplomata i društva općenito, koji će biti izneseni u<br />

ovom izlaganju.<br />

Ključne riječi: Ruđer Josip Bošković, Robert Edge Pine, portret<br />

SEARCH AFTER ROBERT EDGE PINE’S PORTRAITS<br />

OF ROGER JOSEPH BOSCOVICH<br />

By the end of his stay in London, Roger Boscovich wrote to his brother<br />

Baro on 5 and on 12 of December 1760 about the portraits commissioned by<br />

his London friend, Dr William Bromfield, not hiding his dissatisfaction with<br />

them. The name of the painter has not been mentioned, but Boscovich’s notebook<br />

Gente Conosciuta contains a note ‘my painter’ associated with the name<br />

Pine. In the first letter of Irene Bromfield directed to Boscovich in Nancy at<br />

the beginning of 1761 there is a sentence that “Pine made your portraits very<br />

well”. It seems that three portraits were painted altogether. One of them was<br />

sent to Boscovich’s family in Dubrovnik, where it ended up in the Franciscan<br />

monastery, from where it was stolen in the night of 15/16 October 1972. The<br />

other two, the bust and full figure, remained in England without leaving a<br />

trace.<br />

Round anniversaries of Roger Boscovich have usually stimulated the<br />

searches for the lost portraits. After the bicentennial of Boscovich’s birth,<br />

Vladimir Varićak was disappointed by not finding his portrait in the Royal Society<br />

on his visit to London in 1912. Before the 250 th birth anniversary Lancelot<br />

L. Whyte published an appeal in the magazine Country Life of 7 August 1958,<br />

accompanied by the black-and-white reproduction of the ‘Dubrovnik’ portrait.<br />

We have started our search by publishing the appeal in the same magazine of<br />

7 July 2010, accompanied by the colour reproduction of the same portrait. Our<br />

search was extended to include the magazines Art History News and Art Newspaper,<br />

and the organisation Art Loss Register.<br />

In our search for the works of Robert Edge Pine we consulted experts<br />

of the National Portrait Gallery, Royal Academy of Arts and Victoria and Albert<br />

Museum from London, as well as Smithsonian National Portrait Gallery,<br />

Washington, D.C. We also contacted auction houses Christie’s and Sotheby’s.<br />

The search of the archive materials was conducted in the Frick Art Reference<br />

Library, Glasgow University Library, Royal Society Library, Bodleian Library<br />

168

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