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Programska knjižica - Hrvatsko filozofsko društvo

Programska knjižica - Hrvatsko filozofsko društvo

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In the modern society, the options, subjective preferences, and external<br />

behaviour of human agents are all form-determined by the endless circulation<br />

of commodities and money. In this form of social organization, which may be<br />

termed dissociated sociality, “the absolute mutual dependence of individuals,<br />

who are indifferent to one another, constitutes their social connection”.<br />

The last intention of Sutlić’s book Praksa rada kao znanstvena povijest is<br />

not an absolute establishment of the non-alienated work, work outside its division,<br />

but a preparation of a different character of a historical joint. For such a focusing<br />

of historical thought, regrettably not continued in the recent Croatian philosophy,<br />

the question of subjectivity production is undoubtedly very stimulating.<br />

And perhaps it is actually relevant for the understanding of the notion on capital<br />

inside our bodies, in other words, about us as the integral body of capital.<br />

HELENA MOTOH<br />

Science and Research Centre & Faculty of Humanities, University of Primorska,<br />

Koper, Slovenia /<br />

Znanstveno-istraživački centar & Fakultet za humanističke studije, Sveučilište<br />

Primorska, Kopar, Slovenija<br />

“PUNK IS A SYMPTOM”: INTERSECTIONS OF PHILOSOPHY<br />

AND ALTERNATIVE CULTURE IN THE 1980’S SLOVENIA<br />

All over Yugoslavia the eighties were marked by an appearance of a great<br />

number of new alternative culture movements, while at the same time significant<br />

new ideas were introduced in the field of philosophy and theory in general.<br />

The proposed paper focuses on a particular example of dialogue between<br />

theory and culture in this period: on the three special issues of the journal<br />

Problemi in 1981, 1982 and 1983 that were dedicated to the punk movement,<br />

i.e. the so-called Punk Problemi. It begins by analyzing the editorial to the first<br />

of these three issues, written by Slavoj Žižek and his alleged “agreement” with<br />

the thesis that punk should be viewed as a symptom. The discrepancy between<br />

the critics of punk and the viewpoint of the editorship of the Problemi and their<br />

contributors is further explored through the analysis of the articles published<br />

in the three special editions. Finally the Punk Problemi will be juxtaposed to<br />

developments in theory in the early eighties, especially the works on the theory<br />

of ideology.<br />

88

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