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А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

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folded and moved it back to the left again (there was another inscription on the curtain‘s inside prompting<br />

to do so). Then he photographed the one lying in the pit, gave him the camera and proceeded to the two<br />

remaining positions (14 and 15).<br />

After being photographed at each of 15 positions and partaking in the Curtain action, the viewers in turns<br />

proceeded to the forest. There, on a scoreboard attached to a tree, they found a schemed plan of viewers‘<br />

filming, plan of additional filming, and also a sequence of slide films and setting of black-and-white<br />

exposition to be compiled after the filming (see appendix 2 for full text). One of the action‘s participants<br />

stood by the scoreboard with a recorder and taped viewers‘ words.<br />

Moscow region, Savyolovskaya railway line, near village Kyevy Gorky.<br />

7 th October, 1979<br />

2. Slide film<br />

The photographic material collected in course of filming was compiled into slide film (see appendix 3)<br />

and a black-and-white exposition (see appendix 2, section 7). After the demonstration of the slide film<br />

audio commentaries were auditioned (see appendix 4). Then additional sequence of slides and audio<br />

commentaries collected on the 7 th of October followed.<br />

Moscow.<br />

31 st October, 1979<br />

A.Monastyrski, I.Makarevich, N.Alexeev, N.Panitkov, E.Elagina.<br />

I.Kabakov, I.Bakstein, V.Mironenko, D.Prigov, O.Vasilyev, E.Bulatov, V.Nekrasov, V.Mochalova,<br />

I.Pivovarova, I.Yavorsky, I.Chuikov, S.Gundlakh, A.Anikeev, L.Rubinstein, S.Romashko M.Elagina,<br />

L.Bazhanov, A.Filippov, K.Zvezdochetov, V.Makarevich, P.Pepperstein, N.Shibanova + 7-10 others.<br />

13. FOR N. PANITKOV<br />

(Three darkness)<br />

Footnotes for descriptive text (plan of action)<br />

1. Unaware of the action‘s plan, Panitkov and V.D. arrive at a snowy clearing in a forest in the daytime. A<br />

small hole is dug in the snow and a chair is put inside. Panitkov sits on the chair, other participants cover<br />

Panitkov with a board using wooden posts at the hole‘s corners and bury it under snow. A hill of snow is<br />

formed, Panitkov is sitting under it in darkness.<br />

Before the action‘s start other participants instruct Panitkov to stand up and rise the board above his head<br />

when silence falls for the second time (in the course of the whole action there are six radios around, tuned<br />

to different waves and working at full volume)<br />

2. When the hill with Panitkov inside is ready, a similar one is built next to it. Inside the second hill V.D.<br />

is sitting. (Panitkov is unaware of the second hill, as the noise produced in the course of construction is<br />

dampened by radios).<br />

Before the action starts, other participants instruct V.D. to stand up and rise the board above his head as<br />

soon as silence falls for the first time.<br />

3. When the hill with V.D. inside is built, Panitkov‘s hill is covered with black opaque cloth of size no<br />

less than 4x4 meters.<br />

4. A black box (sized 2.5 meters in height, 4 in width, and 5 in length) is built over the two hills, using<br />

black opaque paper or cloth and ropes attached to trees.<br />

5. When the black box is built, a participant steps in, holding a camera with flare.

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