А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
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At I.Makarevich‘s workshop on a white wall 10 photocopied A2 sheets from the book ―Buddhist<br />
symbolic‖ (Palitra, Leningrad, 1991) )were arranged in two rows.<br />
I.Holin who came at an invitation was asked to recite the series of verses titled ―Holin‖ created in early<br />
60s.<br />
During the recital A.M. who was standing behind Holin‘s back was coloring the contours of symbols on<br />
the photocopied sheets with a golden felt pen. He was also trying to synchronize the time of Holin‘s<br />
reciting one verse with his coloring one symbol.<br />
Then the papers were taken off the wall, packaged in two cardboard sheets to form a notebook labeled<br />
―To I.Holin‖ and given to the author of the verses.<br />
Moscow, 15.03.1993<br />
S. Haensgen, A. Monastyrski, E. Elagina, I. Makarevich<br />
68. TO STEFFEN ANDRAE<br />
On the floor of a Catholic church of St.Anna (Munich) St.Andre and A.M. performed an unfinished<br />
session of a Tibetan game ―Journey to Nirvana‖. St.Andre played with a bronze eagle figurine, while A.M<br />
with a tiny colored model of a Greek church. The game‘s results (positions of the figures‘ movements)<br />
were registered in a special notebook consisting of 4 stitched sheets of photocopied photographs of<br />
A.M.‘s work ―Breathing and hearing‖. After the game the two game fields were folded to form an A3<br />
notebook and given to St.Andre together with an inserted A4 notebook with registered positions of the<br />
figures‘ movements.<br />
Prior to the action onto the reverse side of one of the game fields a page with description of ―The<br />
Opening‖ action was glued. Later it became the front page of Steffen‘s notebook, while onto the reverse<br />
side of the front page there was glued a photograph of the same action picturing Panitkov in ―the area of<br />
non-recognition‖ on the snowy Kievgorodskoe field.<br />
Munich,<br />
31.5.1993<br />
A. Monastyrski, S. Haensgen<br />
69. TO I. KABAKOV (Three notebooks)<br />
Materials of KD and A.M. (photographs, texts, schemes) requested by Kabakov for his installation titled<br />
―Noma‖ were arranged in three black A2 notebooks. Each sheet in all three notebooks consisted of four<br />
typoscript pages, three of which belonged to the requested materials. Therefore, Kabakov was supposed<br />
to un-arrange the notebooks and cut the desired texts, photographs and drawings from A2 sheets, then<br />
disposing the ―unwanted‖ element from each sheet.<br />
The notebooks were labeled with scaled-up copy of a line from I.Holin‘s verse (―To I.Kabakov‖,<br />
published in the book titled ―Lianozovo‖ (Munich, 1992, S-Press) dedicated to Kabakov.<br />
The notebooks were handed over to Kabakov by B.Groys.<br />
Salzburg,<br />
10.8.1993<br />
A. Monastyrski, S. Haensgen