А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

Monastyrski read aloud the text prepared for the action titled "The Voices" (see text "With a Wheel in
One‘s Head").
The visual set up of ‗The Voices‘ consists of a black box and three electric torches which are switched on
and which jut out of the box. The box is then placed behind a balcony door, and a piece of black rubber
cable is extended from a bathroom through an open window into the box. In order to conceal the box
(and torches) it is placed on the floor in a space where it is not immediately noticeable.
Moscow
4 th of January, 1985
A.Monastyrski, S.Romashko
Viewers:
I.Kabakov, Vs.Nekrasov, I.Bakstein, V.Sorokin, Yu.Leiderman, A.Zhigalov, N.Abalakova, D.Prigov,
V.Mochalova, L.Rubinstein, S.Haensgen, S.Letov + 3 others
36. THE TRANSLATION (Archeology of an Empty Action)
A text written prior to the action by Monastyrski consisted of 22 small parts and was translated into
German by Sabine Haensgen. A few days before the action, in two stages, the text was taped using a
recorder. The recording was conducted in the following manner. The first part of the text was read aloud
in Russian by Monastyrski and then repeated in German by Haensgen. Then the second part was
recorded, with its German translation having started some seconds before the ending of the Russian part,
so that it was superimposed acoustically over the Russian part‘s last phrase. This superimposition of
German speech over Russian continued and with each part seized more and more of the Russian text, so
that parts 11 and 12 were synchronized in both languages. After the 13 th part the German text (which was
translated from Russian) began running ahead, and by the 20 th part the manner of reading turned to
reverse. Thus, first the German text of part 20 was read aloud, then the Russian text. Both language
versions of part 21 (an episode "Drugstore") were synchronized, like parts 11 and 12. The last one, part
22, was recorded like part one: first Russian text, then its German translation.
In the second stage of preparatory recording Haensgen and S.Romashko vocalized the recorded text on
one cassette and recorderd it to another using the repetitive technique (see "Voices"). S.Haensgen
repeated after Monastyrski‘s reading the Russian text, and vice versa. Thus, the second cassette was
recorded, where Russian text by Monastyrski was repeated by Haensgen, and its German counterpart
(written by Haensgen) repeated by Romashko.
In the course of the action, which took place indoors (at Monastyrski‘s apartment), Haensgen and
Monastyrski sat at a table moved a few feet away from the audience, put on headphones and repeated
after the second cassette‘s recording: Haensgen repeated after her original translation dubbed by
Romashko, while Monastyrski repeated after his Russian text dubbed by Haensgen. During the playback
of part 19 of the text which ended with words "What do you think" the tape recorder was temporarily
switched off and Haensgen "in her own words" (i.e. outside the repetition space) answered in German.
Her answer was translated into Russian for the audience (and for Monastyrski): "What else can be said,
enough words have been said already". Then the tape recorder was switched on again and the playback
proceeded. During "The Drugstore" episode Romashko – synchronously with Haensgen and Monastyrski
– read this text aloud in Russian. Thus, it was simultaneously read aloud in three voices, two in Russian
and one in German.
After the second cassette‘s playback was over, Monastyrski and Haensgen removed the headphones and
turned off the tape recorder. Haensgen read aloud a beforehand-written text in German, while Romashko
translated it into Russian. In the final part Romashko vocalized his own text titled "Afterword". Besides
the described above verbal sequence, the action also had an acoustic background, which was produced by
a speaker and consisted of homogenous street noise, low-key hissing with occasional inclusions of
mechanical sounds such as distant working air supply, and vaguely audible "Music Outside the Window".
The visual sequence of the action consisted of an elongated rectangular black box with four (two paired)
turned on electric torches protruding from the box‘s front side. The box sat on the table, lamps facing the