А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
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65. THE HANDING OVER (to S. Anufriev)<br />
Two days before the action S.Anufriev received a detailed plan of the location – river Yauza near Losiny<br />
Ostrov (Moose Island) – with a marked spot and time of meeting with the action‘s organizers.<br />
When Anufriev came to the appointed location, A.M. handed over to him a big black notebook (size A2,<br />
unlabelled) containing paper sheets with scaled-up images of skiers from one of Anufriev‘s drawings of<br />
1991. One of the skiers‘ figures was collaged in a scheme from M.Krointz‘s book ―Quarks, gluons and<br />
grids‖ (Moscow, ―Mir‖, page 181) – a page with this scheme was included in the middle of the series.<br />
The sequence with skiers ended with a scaled-up to A2 size plan of the location, where time and date of<br />
the meeting were filled in: ―27.12.92. 13:05‖, with signatures of the three action‘s participants.<br />
Moscow,<br />
27.12.1992<br />
A. Monastyrski, S. Haensgen<br />
66. THE OPENING (to N. Panitkov)<br />
After reaching a place ―where no hangars can be seen‖ in a field (see ―Means of a sequence‖ action),<br />
A.M. and S.H. handed over to Panitkov a black notebook and a big plastic apple. After shouldering a<br />
backpack with a tape recorder inside (the recorder was set to playing back pre-recorded by A.M<br />
descriptional texts about ―KD‖, in that particular case the action ―Music inside and outside‖), Panitkov<br />
headed towards the hangars on the opposite side of the field. Before proceeding to another section of his<br />
route he tossed the apple, approached it, picked up, then tossed again and again, thus approaching the<br />
location in front of the hangars where he was supposed to stop (anywhere according to his own will, but<br />
as closer to the hangars as possible). After reaching the selected point he replaced the tape in his recorder<br />
for a clear one and after setting the recorder to recording mode began looking through the notebook, at the<br />
same commenting its content to the recorder‘s microphone. The notebook consisted of a cover page on<br />
which Panitkov was to mark the title of the action described on the tape at the moment when he<br />
approached the location – it turned to be the description of the ―The Gunshot‖ action. The cover page was<br />
followed by several photocopied A2 sheets from Lokeli Chandra‘s book ―Esoteric iconography of<br />
Japanese mandalas‖ (India, 1971). On the last page there was a factographic form to be filled in with the<br />
action‘s timeline at different stages and signed by the participants.<br />
Prior to looking through the notebook Panitkov was supposed to take the plastic apple to 3 pieces (as it<br />
was made of sections) and to scatter them, but in the course of action he did so after looking through the<br />
notebook.<br />
After replacing again the tape with descriptional texts and switching the recorder to playback mode, he<br />
put the recorder into backpack, shouldered the backpack, took the notebook and returned to his initial<br />
position by the video camera. There the notebook was signed by all three participants, fastened at the<br />
right side with clamps (so that it couldn‘t be opened without unfastening the clamps) and handed over to<br />
Panitkov.<br />
Kiovogorskoe field<br />
7.3.1993<br />
A. Monastyrski, S. Haensgen<br />
67. TO I. HOLIN