А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
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54-61. Fragments of the object "Photo album" (b/w)<br />
62. Caption frame.<br />
63-66. "The Closed City" (color)<br />
67-74. Fragments of the object "Object-frame": close-up photos of license plates of trucks, buses and cars<br />
(b/w)<br />
75. Caption frame.<br />
76-79. "The Closed City" (color)<br />
80-88. Fragments of the object "Transport. Esthetical Overlay" (b/w)<br />
102. Caption frame.<br />
103-106. "The Closed City" (color)<br />
107-113. "Upturned Vase" and fragments of other objects‘ arrangement on the white cloth (b/w)<br />
114. Monastyrski sitting behind the screen with headphones and a microphone in his hand (pictured<br />
during the "Discussion" performance while repeating the audience‘s remarks).<br />
With the appearance of the 114 th slide Monastyrski finished repeating the discussion which then<br />
continued in normal verbal mode.<br />
Note: if a second demonstration of the slide film "Fragments. The Closed City" occurs, it is to be<br />
accompanied by playing back the "Discussion" soundtrack with addition of the final 115 th slide (the<br />
advertisement slide in the "Barrel": tape recorder on purple cloth on snow). This slide must appear on the<br />
screen as soon as the repetition of remarks on the soundtrack is finished.<br />
Moscow<br />
28 th of September, 1985<br />
A.Monastyrski, G.Kizewalter, M.Eremina, I.Makarevich<br />
I.Kabakov, S.Letov, L.Rubinstein, I.Bakstein, D.Prigov, V.Mochalova, V.Sorokin + 2 German embassy<br />
employees<br />
VOLUME FOUR<br />
40. WINCH<br />
To a revolving lever of a dug-in steel winch six fishing lines were attached. Other ends of these lines,<br />
fanned out across a field (the lines themselves were lying on the ground) were attached on various heights<br />
to trees on the opposite side of the field. The length of the lines varied from 400 to 700 meters. The<br />
audience received pre-printed copies of score of the forthcoming event (see hereafter), and then<br />
N.Panitkov began revolving the winch, reeling up the lines and recording the sound with a tape recorder.<br />
The lines gradually tightened and broke one by one. The last line broke in an hour‘s time after the start of<br />
revolving. The action began in regular autumn weather, which tended to be rapidly changing: soon it<br />
began snowing heavily, then a strong wind arose and the snowfall grew heavier. By the middle of the<br />
action the field was covered with thick fog, the sky darkened. By the end of the action it stopped snowing,<br />
the fog cleared away and sun emerged from the clouds. The whole field was covered with snow. Thus, the<br />
meteorological aspect of the action was corresponding with "Winch" score (interaction between the<br />
powers of Ying-Yang, Heaven-Earth, darkness-light).<br />
Score description: The score consisted of two black sheets of Chinese paper, tightened with polyethylene<br />
to form a single-centerfold book. On the cover page there was a sticker with an English word<br />
"Performance". On the left part of the centerfold there was a schematic image of the six unbroken lines<br />
forming the Qian hexagram ("creativity"). On the right side the lines appeared already broken (Kun<br />
hexagram, "performance").<br />
In the course of the action the lines were broken in the following sequence of hexagrams: the fourth line<br />
was broken first, and the Xiao Gu hexagram ("small exceeding") appeared; then the second line broke to