А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
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Viewers<br />
I.Kabakov, V.Sorokin, I.Nakhova, I.Bakstein, N.Abalakova, A.Zhigalov, E.Zhigalova, M.Chuikova,<br />
S.Anufriev, E.Gorokhovsky, Nina, V.Naumets, V.Zakharov, D.Prigov, A.Prigov, Yu.Leiderman, G.Witte,<br />
S.Haensgen, I. and S. Kopystyansky, N.Alexeev<br />
34. DESCRIPTION OF AN ACTION<br />
N.Panitkov stood on a snowy field‘s verge, his back at the forest, two ropes attached to his belt on the<br />
right and left sides, both initially unreeled at length of 75 meters.<br />
S.Romashko (on the right) and A.Monastyrski (on the left) were moving back and forth across the field<br />
for 15 minutes, holding other ends of two ropes and coordinating their presence in Panitkov‘s eyesight by<br />
his signals: he pulled the ropes when Romashko or Monastyrski entered his peripheral zones of visual<br />
differentiation, and when they left them. Therefore, a permanent influence was generated, similar to a<br />
swinging pendulum, affecting marginal visual perception and peripheral attention in lateral areas of<br />
Panitkov‘s eyesight. Panitkov‘s objective was to stand still in the course of the whole action without<br />
moving his head or eyes, and look with intensity at the distant corner of the field and tape using a recorder<br />
his impressions of observing the empty white space in front of him. Panitkov was aware of this part of<br />
action.<br />
15 minutes later Monastyrski blew a whistle to signal, then Monastyrski and Romashko left Panitkov‘s<br />
eyesight and headed to the forest. They both unreeled their ropes to full length (100 meters each), put on<br />
white robes, and, moving in semicircle, exchanged positions, leaving Panitkov‘s eyesight again. By the<br />
same signal (before the appearance of two white robed figures on the field) Panitkov turned the cassette in<br />
his recorder to another side, and on two figures‘ moving towards each other and entering his eyesight<br />
(after the second whistling signal), turned on the recorder in playback mode. The action‘s final, i.e. the<br />
appearance of robed figures, their movement in semicircle, as well as the content of the recording was not<br />
known to Panitkov before the action‘s start.<br />
The recording contained sounds of rhythmic tapping (palm on chest), this sound was overlapped from<br />
time to time by gradually amplifying and fading vibrating noise of a one-tone resonating Chinese mouth<br />
harp. This part of the recording lasted 4 minutes, then, after a 5 seconds interval, appeared another, louder<br />
buzzing noise (sound of a working electric shaver very close to microphone). This sound was then<br />
overlapped by loud continuous ringing of an electrical door bell. It kept ringing even after the buzzing<br />
sound faded.<br />
In the course of the whole action behind Panitkov‘s back 15 meters away from him there was I.Kabakov,<br />
unaware of either the action‘s plan or objectives, who was describing everything to a tape recorder.<br />
Moscow region, Savyolovskaya railway line, field near village Kyevy Gorki<br />
19 th of February 1984<br />
A.Monastyrski, S.Romashko, N.Panitkov, I.Kabakov, I.Makarevich, G.Kizewalter, E.Elagina<br />
35. THE VOICES<br />
On the day before the action Monastyrski and Romashko recorded their conversation (45 minutes) which<br />
concerned the last year‘s action titled "Description of an Action" and the forthcoming "The Voices"<br />
during which the recording was to be used (see "The Dialogue"). In the course of the action which took<br />
place indoors (at Monastyrski‘s apartment) Romashko and Monastyrski put on headphones and while<br />
listening to the recorded conversation, they started simultaneously vocalizing it for the audience.<br />
Romashko repeated Monastyrski‘s words on the cassette, and vice versa.<br />
At the same time a recording of I.Kabakov‘s voice made during "Description of an Action" was being<br />
played back through speakers. After finishing vocalizing the dialogue, the participants put off the<br />
headphones and switched off the tape recorder playing back I.Kabakov‘s spoken report. Then