А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

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Затем мы вернулись на место акции и показали Ситару и Кулик дигитальные фотографии, сделанные в Подъячево – тех мест, о которых шла речь в телефонных разговорах (кладбище с могилой С. Подъячева, церковь и т.д.). Акция длилась около трех часов. Ситару и Кулик было предложено разобрать и взять себе объекты акции. Музыкальный центр, продолжающий воспроизводить радио «Культура» из-под земли, был оставлен на месте действия. Моск. обл., лес возле деревни Киовы горки 28. 08. 2006. А. Монастырский, Н. Панитков, Д. Новгородова, С. Ромашко, М. Сумнина. К In a forest clearing (at the same site where ―Slogan 2005‖ took place) a music centre with an MP3 player was buried in the ground. The buried music centre played an audio-CD reading of the Castaneda book ―The Journey into Ixtlan‖ (duration 10 h: 50 m). Then, high above this site (using two violet ropes) a glass frame was hung between two birch trees. The frame (A3 size), contained a photo of ―The Altar of the Enlightenment of Brains‖ (a fragment from the Moscow Paleontology Museum exposition: which consisted of a gigantic chandelier above dinosaur‘s skulls which rested on podiums). To the right of the ―Altar‖, and attached to another birch tree, was a portrait of Kant in a small decorative glass frame; whilst to the left two frames were affixed which contained portraits of John Cage and Ilya Kabakov. At the moment when the viewers-participants - I. Kulik and S. Sitar - arrived, the buried MP3 player‘s mechanism broke, and we were forced to replace the underground recording of Castaneda‘s book with a radio ―Culture‖ translation. (Whilst the recording was replaced, a process which involved digging out the MP3 player, tuning it, and reburying it, Kulik and Sitar were asked to wait at a distance). Once this was done, we attached a video camera on a tripod and placed it in front of the installation. We asked I. Kulik to turn the camera on every 15 minutes and to leave it recording for 5 minutes. Then we left the scene, walked to Rogochevskoe highway, got into a car, and headed towards Rogochevo, to Podjyachevo village (approximately 30km from the site of the performance). This village is named after the writer Podjyachev, 1866-1934, who was born, lived and died there. On the way there, and then once we arrived at the village, A. M. called Sitar and then Kulik alternately using cell-phones, as if he was reporting from this landmark site. Afterwards we returned to the space of the action and showed Sitar and Kulik digital photos taken in Podjyachevo. These photos were of the places A.M had described during his phonereportage conversation – e.g. the cemetery with Podjyachev‘s grave, the church, etc. The performance continued for 3 hours. Sitar and Kulik were offered the opportunity to reassemble the installation and to take objects from the site. The music centre, which continued to transmit the translated radio transmission of ―Culture‖ was left at the scene. Moscow region, forest near the Kiovy Gorky village, 28.08.2006 A. Monastyrski, N. Panitkov, S. Romashko, D. Novgorodova, M. Sumnina
П Р И Л О Ж Е Н И Е
Page 1 and 2: А. Монастырский, Н.
Page 3 and 4: или более интеллиг
Page 5 and 6: Бывают такие состо
Page 7 and 8: «акции» в городско
Page 9 and 10: О П И С А Т Е Л Ь Н Ы Е
Page 11 and 12: with portraits, inserted into the l
Page 13 and 14: МУРАНОВО - САФАРИНО
Page 15 and 16: Москва, Измайловск
Page 17 and 18: Then a fishing-line was placed betw
Page 19: At the other end of the violet rope
Page 31 and 32: А. Монастырский. Об
Page 33 and 34: машина, там были Иг
Page 35 and 36: После акции все отп
Page 37 and 38: Долго ли коротко ли
Page 39 and 40: зрителя в такое вот
Page 41 and 42: Итак, на стенд-газе
Page 43 and 44: планшете «стенд-га
Page 45 and 46: Но вскоре стало пон
Page 47 and 48: Особенное воодушев
Page 49 and 50: (почти как у Матисс
Page 51 and 52: Все изменилось. Пол
Page 53 and 54: С. Ситар. Акция “Лу
Page 55 and 56: времени, оказались
Page 57 and 58: и ―мотива-фактора
Page 59 and 60: существенной - стал
Page 61 and 62: азиатской машинке.
Page 63 and 64: То ли потому, что ко
Page 65 and 66: сейчас фигура возн
Page 67 and 68: не известно - как. П
Page 69 and 70: таблица биржевых к
Page 71 and 72:
произносились, чет
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рода возникает в хо
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тексту). В случае ак
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парадигмой, в котор
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мира» или «пред-ост
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пустые пакеты оста
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ИНФУЗОРИИ В ТРОЩЕЙ
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НИКОЛАЙ ПАНИТКОВ Т
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предлагающая Ануфр
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КИТАЙСКИЙ СЕКРЕТ В
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Николай Байтов, пис
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P.S. К плюсам можно о
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действия крайне не
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Акция с часами, Лоз
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туннеля, и там, очев
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план наиболее уязв
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времени как раз так
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оказалось, вычисли
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ПРЕДМЕТЫ, ОСТАВЛЕН
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К О М М Е Н Т А Р И И С
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ранние Лозунги вто
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А. М.: В Лозунге-2005 а
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tradition, into which the aesthetic
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Rhythmisierung der zeitlichen Folge
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Verbindungen zwischen philosophisch
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П Р И Л О Ж Е Н И Е I I
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(The weather stayed sunny and calm
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In 4 minutes 20 seconds (320 meters
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All the radios are turned off. V.D.
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Moscow region, Savyolovskaya railwa
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turn and stand facing the forest in
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Then they were to approach the dark
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Moscow, Botanical garden 2 nd of Au
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When Panitkov was distributing enve
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I think that a "daytime brushstroke
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While Romashko was trudging through
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Monastyrski read aloud the text pre
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3. 19:50 - 20:00 - Phonogram "The T
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Besides that, TV noise (speech or m
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SIMULTANEUOSLY WITH THE 99 TH SLIDE
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listing the following demonstrative
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form the Chia Jen hexagram ("Family
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25. Tower 26. Trains 27. Trains 28.
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with I.B. and A.M‘.s dialogue acc
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The action suggested that during th
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Prior to V.Nekrasov‘s arrival at
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Before the action‘s start a large
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consisted of noises of airplanes fl
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When the viewers were approaching t
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We came to the snowy Kyevgorodskoe
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At I.Makarevich‘s workshop on a w
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72. LAUNCHING A KITE IN PRORA S.H.:
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N. Panitkov, S. Haensgen, A. Monast
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there was an inscription in black l
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Into 13 books of (mainly) ideologic
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Following the verbal instruction, K
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disassembled it. And accompanied by
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The peculiarity of this book was it
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from ―Adventures of the blind‖)
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After the performance was finished,
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Индивидуальные акц
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А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

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