А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
listing the following demonstrative relations - categories of the C.A.: "Reeling. Standing. Lying in a pit.<br />
A Group. A man – people in a distance. Sound. Listening to the listening". Viewers could scroll the<br />
album.<br />
In the room over the piano a black musical sheet of the "Jupiter" performance was hanging, and under the<br />
coach there was a glass-sided framed screen in blue passé-par-tout belonging to "Barrel" performance.<br />
These objects had a certain value in the visual structure of the action.<br />
After the audience‘s having finished examining the "Categories of the C.A." objects, between the piano<br />
and the white cloth a screen with black letters was fixed. The letters said: "C.A. CATEGORIES.<br />
PERSPECTIVES OF THE VERBAL SPACE. Discussion. 1985‖. Further listening to the soundtrack was<br />
accompanied by demonstration of several slide films from the "Russian world" and "Barrel"<br />
performances, relating to the "TZI-TZI" soundtrack‘s content. When the "TZI-TZI" soundtrack came to<br />
an end, the "Discussion" itself started after a five minutes‘ pause. Headlights were turned off, while the<br />
lamp inside "Upturned Vase" was switched on. The first slide from "Fragments. The Closed City" series<br />
appeared on the screen, and Kizewalter who was responsible for switching slides, read aloud a short<br />
introductory text. Simultaneously, the same text was repeated through stereo speakers by Monastyrski<br />
who was sitting behind the screen (and thus was invisible to the audience) and, while listening to the<br />
audience‘s commentaries through headphones of the second Walkman (it was connected to another<br />
Walkman set to recording mode which rested among other objects on the white cloth), repeated some of<br />
them to the microphone connected to a speaker in the opposite corner of the room. He also participated in<br />
the discussion from time to time.<br />
The slide film titled "Fragments. The Closed City" accompanying the "Discussion" consisted of 114<br />
slides, each remaining on the screen for 20 seconds.<br />
1. Screen (slide with image of lettered screen on which the slides were demonstrated).<br />
2-9. Fragments of "Dumbbells scheme" object (black and white images).<br />
10. Headpiece "The Closed City" (b/w)<br />
11-14. Colored slides of "The Closed City", including:<br />
11 – a trolley bus base emblem (circles with "wings") against red background. Such insignias can be<br />
seen on trolley buses‘ sides.<br />
12 - Lower left part of a trolley bus driver‘s booth with headlights and fragments of yellow numbers<br />
against red background.<br />
13 – red board with a slogan: "RESOLUTIONS OF THE APRIL (1985) PLENARY SESSION OF<br />
KPSU CENTRAL COMMITTEE ARE THE MILITANT PROGRAMME FOR THE PARTY AND<br />
THE WHOLE SOVIET NATION!"<br />
(this slide is positioned vertically; all the other slides, except the ones with slogans and the last, 114 th<br />
slide are horizontal. Besides that, slides with slogans were demonstrated in "blinking" (stroboscopic)<br />
mode by means of time relay. Synchronously with the slogan on the screen, the "Upturned vase" was<br />
also blinking).<br />
14 – lower left side of a trolley bus‘s body with rear sidelights and fragments of numbers against red<br />
background.<br />
Each sequence of eight slides with "Categories of the C.A." objects was followed – after a short caption<br />
frame – by four slides of "The Closed City" assembled in the same sequence as described above.<br />
Although, only two slogans – the first and the last ones – were captured in full (text of the last slogan:<br />
"WORKERS OF KRASNAYA PRESNYA! LET US IMPROVE THE PRODUCTIVITY AND<br />
EFFICIENCY OF LABOUR AT EVERY WORK POSITION!"). Other six slogans were represented by<br />
vertically positioned fragments of a giant horizontal banner mounted somewhere in Krasnaya Presnya<br />
district: detached pieces of words, letters and syllables of which no sensible phrase could be assembled.<br />
15-22. Fragments of the "Divagation" object (b/w)<br />
23. Caption frame.<br />
24-27. "The Closed City" (in color)<br />
28-35. Fragments of the object "69" (b/w)<br />
36. Caption frame.<br />
37-40. "The Closed City" (color)<br />
41-48. Fragments of the object ―Demonstrative Field‖ (b/w)<br />
49. Caption frame.<br />
50-53. "The Closed City" (color)