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А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

А. Монастырский, Н. Панитков, И. Макаревич, Е. Елагина, С ...

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listing the following demonstrative relations - categories of the C.A.: "Reeling. Standing. Lying in a pit.<br />

A Group. A man – people in a distance. Sound. Listening to the listening". Viewers could scroll the<br />

album.<br />

In the room over the piano a black musical sheet of the "Jupiter" performance was hanging, and under the<br />

coach there was a glass-sided framed screen in blue passé-par-tout belonging to "Barrel" performance.<br />

These objects had a certain value in the visual structure of the action.<br />

After the audience‘s having finished examining the "Categories of the C.A." objects, between the piano<br />

and the white cloth a screen with black letters was fixed. The letters said: "C.A. CATEGORIES.<br />

PERSPECTIVES OF THE VERBAL SPACE. Discussion. 1985‖. Further listening to the soundtrack was<br />

accompanied by demonstration of several slide films from the "Russian world" and "Barrel"<br />

performances, relating to the "TZI-TZI" soundtrack‘s content. When the "TZI-TZI" soundtrack came to<br />

an end, the "Discussion" itself started after a five minutes‘ pause. Headlights were turned off, while the<br />

lamp inside "Upturned Vase" was switched on. The first slide from "Fragments. The Closed City" series<br />

appeared on the screen, and Kizewalter who was responsible for switching slides, read aloud a short<br />

introductory text. Simultaneously, the same text was repeated through stereo speakers by Monastyrski<br />

who was sitting behind the screen (and thus was invisible to the audience) and, while listening to the<br />

audience‘s commentaries through headphones of the second Walkman (it was connected to another<br />

Walkman set to recording mode which rested among other objects on the white cloth), repeated some of<br />

them to the microphone connected to a speaker in the opposite corner of the room. He also participated in<br />

the discussion from time to time.<br />

The slide film titled "Fragments. The Closed City" accompanying the "Discussion" consisted of 114<br />

slides, each remaining on the screen for 20 seconds.<br />

1. Screen (slide with image of lettered screen on which the slides were demonstrated).<br />

2-9. Fragments of "Dumbbells scheme" object (black and white images).<br />

10. Headpiece "The Closed City" (b/w)<br />

11-14. Colored slides of "The Closed City", including:<br />

11 – a trolley bus base emblem (circles with "wings") against red background. Such insignias can be<br />

seen on trolley buses‘ sides.<br />

12 - Lower left part of a trolley bus driver‘s booth with headlights and fragments of yellow numbers<br />

against red background.<br />

13 – red board with a slogan: "RESOLUTIONS OF THE APRIL (1985) PLENARY SESSION OF<br />

KPSU CENTRAL COMMITTEE ARE THE MILITANT PROGRAMME FOR THE PARTY AND<br />

THE WHOLE SOVIET NATION!"<br />

(this slide is positioned vertically; all the other slides, except the ones with slogans and the last, 114 th<br />

slide are horizontal. Besides that, slides with slogans were demonstrated in "blinking" (stroboscopic)<br />

mode by means of time relay. Synchronously with the slogan on the screen, the "Upturned vase" was<br />

also blinking).<br />

14 – lower left side of a trolley bus‘s body with rear sidelights and fragments of numbers against red<br />

background.<br />

Each sequence of eight slides with "Categories of the C.A." objects was followed – after a short caption<br />

frame – by four slides of "The Closed City" assembled in the same sequence as described above.<br />

Although, only two slogans – the first and the last ones – were captured in full (text of the last slogan:<br />

"WORKERS OF KRASNAYA PRESNYA! LET US IMPROVE THE PRODUCTIVITY AND<br />

EFFICIENCY OF LABOUR AT EVERY WORK POSITION!"). Other six slogans were represented by<br />

vertically positioned fragments of a giant horizontal banner mounted somewhere in Krasnaya Presnya<br />

district: detached pieces of words, letters and syllables of which no sensible phrase could be assembled.<br />

15-22. Fragments of the "Divagation" object (b/w)<br />

23. Caption frame.<br />

24-27. "The Closed City" (in color)<br />

28-35. Fragments of the object "69" (b/w)<br />

36. Caption frame.<br />

37-40. "The Closed City" (color)<br />

41-48. Fragments of the object ―Demonstrative Field‖ (b/w)<br />

49. Caption frame.<br />

50-53. "The Closed City" (color)

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