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STRUCTURAL GLASS FACADES - USC School of Architecture

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these materials. High performance two and three-part aliphatic urethane coatings are<br />

available in a range <strong>of</strong> standard and metallic colors that provide excellent results, both with<br />

respect to performance and appearance. The procedure typically involves initial substrate<br />

preparation <strong>of</strong> cleaning and surface blasting followed by a zinc-rich prime coat prior to<br />

application <strong>of</strong> finish coats.<br />

2.3.2 Castings<br />

Casting is an old process with a<br />

long tradition in the building arts.<br />

Cast iron was the material that<br />

provided the structural basis for<br />

the great iron and glass<br />

conservatory structures <strong>of</strong> the<br />

19 th century, so central to the<br />

Figure 2.22 Center Pompidou, Paris; Rodgers and Piano<br />

architects, cast gerberettes on the production floor (Vincent<br />

n.d.).<br />

story <strong>of</strong> glass in architecture.<br />

Cast components have been<br />

used extensively by<br />

contemporary European architects. Renzo Piano and Richard Rogers, with considerable<br />

help from engineer Peter Rice and the local casting industry, made great use <strong>of</strong> castings in<br />

the gerberettes and other components <strong>of</strong> the Centre Pompidou.<br />

The casting process provides great flexibility in the design <strong>of</strong> components, as evidenced by<br />

the great diversity <strong>of</strong> parts produced for the various projects by the designers referred to<br />

above. It is also a relatively inexpensive process, and does not require mass quantities <strong>of</strong> a<br />

component be produced to achieve those economies.<br />

Problems with cast components that were part <strong>of</strong> a space truss system used in the<br />

construction <strong>of</strong> the Javits Convention Center in New York City in the early 1980’s resulted in<br />

80

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