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STRUCTURAL GLASS FACADES - USC School of Architecture

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producing transparent glass products were yet to develop. Glass at this point was not about<br />

transparency or view; it was most likely used for security and insulation from the exterior<br />

environment and for natural lighting. Then, around 100 AD in Alexandria, some early<br />

empirical materials experimenter tried the addition <strong>of</strong> manganese oxide to the melt, and<br />

transparent glass was discovered. Important buildings in Rome were soon adorned with cast<br />

glass windows, as were the villas <strong>of</strong> the wealthy in Herculaneum and Pompeii. (Fleming<br />

1999).<br />

In spite <strong>of</strong> the poor optical quality, the roots <strong>of</strong> future architectural glass production methods<br />

were developed during this period. Rudimentary glass blowing and casting processes were<br />

both available by the 1 st Century AD and both could be used to produce glass that was<br />

relatively flat and translucent, although size was very limited and thickness in both processes<br />

was difficult to control. It was not until approximately the 11 th century that Germanic and<br />

Venetian craftsmen refined two processes for producing sheet glass, both involving glass<br />

blowing techniques. One involved blowing a glass cylinder and swinging it vertically to form a<br />

pod up to 3 m long and 45 cm in diameter. Then, while still hot, the ends were cut <strong>of</strong>f the<br />

pods, the cylinder cut lengthwise and laid flat. A second process involved opening a blown<br />

glass ball opposite the blow pipe and spinning it. This process was to become common in<br />

western Europe, and Crown glass as it was called was prized for certain optical properties,<br />

although size remained very limited. (Wigginton 1996, p.13)<br />

It is interesting to note that the push for transparency and increasing sheet size in glass<br />

appears to date from the beginning <strong>of</strong> its use as an architectural material. References to the<br />

various glass processes and comparisons between them <strong>of</strong>ten refer to the relative limitations<br />

<strong>of</strong> size and optical imperfections.<br />

Wigginton (1996, p.14) identifies the first true glass architecture as Northern European<br />

Gothic. Utilizing structural elements <strong>of</strong> arches, vaults and flying buttresses, the builders <strong>of</strong><br />

15

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