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STRUCTURAL GLASS FACADES - USC School of Architecture

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<strong>of</strong> structural glass facades where larger budgets are confined to lobby and public area<br />

facades.<br />

Another example is suspended glass facades, first developed by the French in the mid 20 th<br />

century, and only made possible by their earlier invention <strong>of</strong> heat-strengthening processes<br />

for glass. The Hahn system referred to earlier was used in the 1950’s by Henri Bernard in<br />

the Maison de la Radio in Paris. This led to a number <strong>of</strong> systems introduced by both industry<br />

producers and designers, and a number <strong>of</strong> built façade structures in the 1960’s and 1970’s<br />

that established suspended, fin-supported glass walls as a viable façade technology. Finsupported<br />

glass facades thus initiated the evolution <strong>of</strong> structural glass façade technology as<br />

characterized in this thesis, and are to this day perhaps the most commonly found type <strong>of</strong><br />

high-transparency façade.<br />

The success <strong>of</strong> glass technology can be attributed at least in part to the persistence <strong>of</strong> a<br />

client base willing to pay a premium for innovative designs using the very latest the<br />

technology has to <strong>of</strong>fer. The newest structural glass façade technology employs cable net<br />

supporting structures. A review <strong>of</strong> the high-pr<strong>of</strong>ile applications, as exemplified by recent<br />

buildings completed in New York City, the Time Warner building at Columbus Circle by<br />

SOM, the Freedom Tower and 7 World Trade Center with David Childs, SOM, and glass<br />

specialist designer James Carpenter, reveals this premium technology integrated as feature<br />

elements in the most public areas <strong>of</strong> the architecture.<br />

As these high-pr<strong>of</strong>ile projects are completed they typically generate some significant media<br />

coverage, both in local and pr<strong>of</strong>essional media sources. The growing interest in and demand<br />

for cable net structures is typically reflected in one <strong>of</strong> the many articles to feature the cable<br />

net wall at the Time Warner Center in Manhattan (Kenter 2007, p.2), “Sylvie Boulanger,<br />

executive director, Quebec Region <strong>of</strong> the Canadian Institute <strong>of</strong> Steel Construction, says<br />

41

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