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STRUCTURAL GLASS FACADES - USC School of Architecture

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1.3 Market Forces and the Evolution <strong>of</strong> Structural Glass<br />

Facades<br />

1.3.1 Early Development<br />

To a notable extent, growth in the architectural glass market has been driven by a chain <strong>of</strong><br />

high pr<strong>of</strong>ile applications with widespread impact, especially starting with the great windows<br />

<strong>of</strong> the Gothic cathedrals in Europe followed by the transition to a widespread secular use <strong>of</strong><br />

glass in buildings and such milestones as Hardwick Hall, 1590-7 by Robert Smythson and<br />

the new wing at Hampton Court, 1689-96 by Sir Christopher Wren. Many if not most <strong>of</strong> these<br />

milestone projects were made possible or even inspired by advances in glass making<br />

technology, but it is ultimately the architectural manifestations that inspire broader adoption<br />

and use. This is nowhere more obvious than in the great burst <strong>of</strong> glass conservatories in<br />

19th century Europe and England that so influenced architecture and set the bar for decades<br />

to come in glass structures. Wigginton (1996, pp.36-37) comments that the burgeoning<br />

glass design movement was international, with designers and patrons traversing Europe to<br />

keep an eye on the competition. Rohault de Fleury started the Jardin des Plantes project in<br />

Paris in 1833, and traveled to England to research the state <strong>of</strong> the art there. Joseph Paxton,<br />

on the other hand, visited the Fleury’s project accompanies by his employer, the Duke <strong>of</strong><br />

Devonshire, three years before producing the Great Chatsworth Conservatory. These<br />

projects in turn were the source <strong>of</strong> inspiration and technological infrastructure necessary for<br />

the realization <strong>of</strong> the Crystal Palace in 1849.<br />

These conservatory structures along with related structures they inspired, such as some <strong>of</strong><br />

the great train halls, represent a contextual technology-based building form, an industrial<br />

architecture born <strong>of</strong> the technological innovations <strong>of</strong> the industrial age <strong>of</strong> the 19 th century.<br />

This architecture directly inspired and informed the Modern Movement starting in the last<br />

decade <strong>of</strong> the 19 th century that led to the International Style <strong>of</strong> architecture. The developers<br />

25

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