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Through the Eras

Edward Bleiberg ed., Ancient Egypt (2675-332 ... - The Fellowship

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Architecture and DesignN0 500 m0 1500 ftPyramid ofRaneferefLepsius XXIVLepsius XXVPyramid ofKhentkawesPyramid ofNeferirkareUnfinishedpyramid (ofShepseskare?)Pyramid ofNyuserreAbusir lakeSun temple of NyuserreSun templeof UserkafPyramid ofSahureMap of Abu Sir. CREATED BY GGS INFORMATION SERVICES. GALE.<strong>the</strong> interior of a nobleman’s tomb, suggesting that Sahureregarded himself more like o<strong>the</strong>r high officials than did<strong>the</strong> kings of <strong>the</strong> Fourth Dynasty who claimed to be gods.The architect’s plan for Sahure’s pyramid complex became<strong>the</strong> standard for nine of <strong>the</strong> known complexes of<strong>the</strong> following Fifth and Sixth Dynasties. Arnold suggestedthat this phenomenon resulted from <strong>the</strong> work ofa series of architects who had inherited <strong>the</strong> office ofKing’s Architect for many generations, though it is justas likely that this model served <strong>the</strong> needs of a long lineof kings while <strong>the</strong>y experimented with <strong>the</strong> sun temples,a new area of focus.THE STANDARD PYRAMID TEMPLE. Architects positioned<strong>the</strong> standard pyramid temple on <strong>the</strong> east side of<strong>the</strong> pyramid, and included a vaulted entrance hall decoratedwith relief sculpture. This covered hall led to anopen courtyard allowing <strong>the</strong> architect to exploit <strong>the</strong> contrastbetween <strong>the</strong> darkness of <strong>the</strong> hall and <strong>the</strong> bright sunlightof <strong>the</strong> court. This contrast, alternating light anddarkness, was a basic tool of all Egyptian architecture.Relief sculpture also decorated <strong>the</strong> walls of <strong>the</strong> courtyarddepicting <strong>the</strong> king protecting Egypt from enemies. Ano<strong>the</strong>rhall led to a room decorated with scenes from <strong>the</strong>Jubilee Festival (sed ). The relief <strong>the</strong>re showed <strong>the</strong> godsof Upper and Lower Egypt greeting <strong>the</strong> king and confirminghis right to rule <strong>the</strong> country. This room offersevidence that <strong>the</strong> Jubilee Festival depicted in it continuedat <strong>the</strong> king’s burial complex as it had been knownbeginning with <strong>the</strong> Jubilee Festival (sed ) courtyard in <strong>the</strong>funerary complex of Djoser in <strong>the</strong> Third Dynasty(2675–2625 B.C.E.). The rear of <strong>the</strong> pyramid temple heldfive niches for <strong>the</strong> five statues of <strong>the</strong> king and an offeringplace. The five statues of <strong>the</strong> king probably representedeach of <strong>the</strong> five standard names that a king tookat his coronation. The pyramid temple’s plan thus reflectsan Egyptian’s idea of <strong>the</strong> proper evidence that aking had ruled legitimately in <strong>the</strong> eyes of <strong>the</strong> gods andalso a listing of his functions through <strong>the</strong> use of sculpturalrelief.THE STANDARD CAUSEWAY AND VALLEY TEMPLE.The standard causeway connected <strong>the</strong> upper pyramidtemple and <strong>the</strong> lower valley temple. In <strong>the</strong> Fifth andSixth Dynasties, remains of relief sculpture lined <strong>the</strong>walls of <strong>the</strong> causeway. Artists represented two basic subjects.First <strong>the</strong>y showed <strong>the</strong> king protecting <strong>the</strong> wholecomplex from Egypt’s human enemies and taming nature.Second, <strong>the</strong>y showed humans on earth supplying<strong>the</strong> complex with food from all over Egypt. The architectused three different stones in <strong>the</strong> valley temple, probablywith color symbolism in mind. The floor was blackbasalt, referring to <strong>the</strong> black mud of Egypt’s fertile valley.The dado (<strong>the</strong> lower part of <strong>the</strong> wall) was red granite,a reference ei<strong>the</strong>r to <strong>the</strong> surrounding desert or apunning allusion to holiness, since <strong>the</strong> Egyptian wordsfor “red” and “holy” sounded alike. Finally, <strong>the</strong> upperwalls were white Tura limestone, decorated with a carvedand painted relief depicting <strong>the</strong> king defeating his enemies.The building served as an entrance to <strong>the</strong> wholecomplex and stood as a statement of <strong>the</strong> basic order of<strong>the</strong> Egyptian world.USES OF THE PYRAMID COMPLEX. The pyramidcomplexes were primarily tombs for <strong>the</strong> kings. Yet Egyptologistshave long abandoned <strong>the</strong> German EgyptologistHerbert Ricke’s <strong>the</strong>ory that <strong>the</strong> buildings of <strong>the</strong> complexwere solely for <strong>the</strong> funeral. The discovery of <strong>the</strong> AbuSir Papyri, <strong>the</strong> records of Neferirkare’s pyramid complexsubsequent to <strong>the</strong> king’s death, provides evidence of <strong>the</strong>numerous activities that continued in <strong>the</strong> complex after<strong>the</strong> burial. The Pyramid Texts found inside <strong>the</strong> pyramidsbeginning with <strong>the</strong> reign of Unas (2371–2350 B.C.E.)also inform us about <strong>the</strong> rituals which continued in <strong>the</strong>pyramid complex, in <strong>the</strong> Egyptian ideal, for eternity.There were at least two offering services for <strong>the</strong> kingevery day—one in <strong>the</strong> morning and one in <strong>the</strong> evening.O<strong>the</strong>r rituals centered on <strong>the</strong> five statues of <strong>the</strong> kingfound in <strong>the</strong> five niches of <strong>the</strong> pyramid temple. At leastthree of <strong>the</strong>se statues depicted <strong>the</strong> king as <strong>the</strong> god Osiris,king of <strong>the</strong> dead. The ritual included feeding, cleaning,and clothing <strong>the</strong> deceased king. Priests <strong>the</strong>n received <strong>the</strong>food used in <strong>the</strong> ritual as part of <strong>the</strong>ir salary. When <strong>the</strong>ywere not attending to <strong>the</strong>ir deceased king, priests and32 Arts and Humanities <strong>Through</strong> <strong>the</strong> <strong>Eras</strong>: Ancient Egypt (2675 B.C.E.–332 B.C.E.)

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